1 00:00:30,831 --> 00:00:34,902 Elsie Carlisle: * SOMEWHERE THE SUN IS SHINING * 2 00:00:34,902 --> 00:00:39,039 * SO, HONEY, DON'T YOU CRY * 3 00:00:39,039 --> 00:00:43,177 * WE'LL FIND OUR SILVER LINING * 4 00:00:43,177 --> 00:00:47,315 * THE CLOUDS WILL SOON ROLL BY * 5 00:00:47,315 --> 00:00:51,452 * I HEAR A ROBIN SINGING * 6 00:00:51,452 --> 00:00:55,423 * UPON A TREETOP HIGH * 7 00:00:55,423 --> 00:00:59,493 * TO YOU AND ME HE'S SINGING * 8 00:00:59,493 --> 00:01:03,731 * THE CLOUDS WILL SOON ROLL BY * 9 00:01:03,731 --> 00:01:07,067 * EACH LITTLE TEAR AND SORROW * 10 00:01:07,067 --> 00:01:12,072 * ONLY BRINGS YOU CLOSER TO ME * 11 00:01:12,072 --> 00:01:15,476 * JUST WAIT UNTIL TOMORROW * 12 00:01:15,476 --> 00:01:20,348 * WHAT A HAPPY DAY THAT WILL BE * 13 00:01:20,348 --> 00:01:24,618 * DOWN LOVERS LANE TOGETHER * 14 00:01:24,618 --> 00:01:28,622 * WE'LL WANDER, YOU AND I * 15 00:01:28,622 --> 00:01:33,093 * GOOD-BYE TO STORMY WEATHER * 16 00:01:33,093 --> 00:01:36,564 * THE CLOUDS WILL SOON ROLL BY * 17 00:02:27,648 --> 00:02:29,883 [ALARM RINGS] 18 00:02:29,883 --> 00:02:31,485 [ALARM STOPS] 19 00:02:38,492 --> 00:02:39,627 JOAN. 20 00:02:42,296 --> 00:02:44,498 JOANIE, SUGAR. 21 00:02:48,902 --> 00:02:52,306 COME ON, JOAN. SUGAR. 22 00:02:52,306 --> 00:02:54,308 WAKE UP, BABY. 23 00:02:54,308 --> 00:02:55,909 NO, ARTHUR, DON'T. 24 00:02:55,909 --> 00:02:57,911 OH, BABY. COME ON, SUGAR. 25 00:02:57,911 --> 00:02:59,913 NO. IT'S TOO EARLY, ARTHUR. 26 00:02:59,913 --> 00:03:01,715 OH, JOANIE, WAKE UP. 27 00:03:01,715 --> 00:03:03,717 OH, ARTHUR, THERE ISN'T TIME. 28 00:03:03,717 --> 00:03:05,719 THERE'S ALWAYS TIME FOR THIS, JOAN. 29 00:03:05,719 --> 00:03:08,322 NO. STOP IT. ARTHUR, NO. DON'T. 30 00:03:08,322 --> 00:03:10,258 I SAID NO! 31 00:03:11,325 --> 00:03:14,194 WHY NOT? WHY NOT, JOAN? 32 00:03:14,194 --> 00:03:15,929 YOU SAID YOU WANTED TO GET AWAY EARLY. 33 00:03:15,929 --> 00:03:17,265 THAT'S WHAT YOU SAID. 34 00:03:18,366 --> 00:03:20,534 YOU NEVER WANT TO, DO YOU? 35 00:03:20,534 --> 00:03:21,435 NEVER. 36 00:03:21,435 --> 00:03:23,937 FIX THE COFFEE, WILL YOU, DARLING? 37 00:03:23,937 --> 00:03:25,205 GODDAMN COFFEE. 38 00:03:25,205 --> 00:03:26,340 ARTHUR. 39 00:03:26,340 --> 00:03:28,208 LISTEN, JOAN, DON'T YOU UNDERSTAND? 40 00:03:28,208 --> 00:03:30,177 I'M GOING TO BE AWAY FROM HOME 41 00:03:30,177 --> 00:03:32,079 FOR 4 DAYS AND NIGHTS. 42 00:03:32,079 --> 00:03:34,081 THERE'S NO NEED TO SWEAR, IS THERE? 43 00:03:34,081 --> 00:03:35,616 THAT'S NOT MUCH OF A CUSS. 44 00:03:35,616 --> 00:03:37,618 I DON'T THINK IT'S VERY NICE, ARTHUR, 45 00:03:37,618 --> 00:03:40,220 ESPECIALLY IN YOUR OWN HOME. 46 00:03:40,220 --> 00:03:42,222 YOU DON'T GIVE ME A CHANCE. 47 00:03:42,222 --> 00:03:45,225 YOU'VE GOT TO GIVE ME A CHANCE. 48 00:03:45,225 --> 00:03:48,562 I DON'T KNOW WHAT YOU MEAN, ARTHUR. 49 00:03:52,666 --> 00:03:55,869 Connie Boswell: * IF I SHOULD WAKE * 50 00:03:55,869 --> 00:04:02,510 * AND FIND YOUR ARMS AROUND ME * 51 00:04:02,510 --> 00:04:10,918 * I KNOW I'LL NEVER HAVE TO DREAM AGAIN * 52 00:04:10,918 --> 00:04:15,656 * IF I SHOULD WAKE AND FEEL YOUR LIPS * 53 00:04:15,656 --> 00:04:19,693 * SURRENDER TO MINE * 54 00:04:19,693 --> 00:04:28,702 * I'D JUST BE WASTING TIME IN DREAMING * 55 00:04:28,702 --> 00:04:36,977 * IN ALL MY DREAMS, IT SEEMS THAT YOU ARE NEAR, DEAR * 56 00:04:36,977 --> 00:04:45,719 * BUT WHEN I WAKE, YOU ALWAYS DISAPPEAR * 57 00:04:45,719 --> 00:04:50,591 * IF I SHOULD WAKE TO HEAR YOU SAY * 58 00:04:50,591 --> 00:04:55,463 * YOU'LL ALWAYS REMAIN... * 59 00:04:55,463 --> 00:04:57,465 I WOULDN'T GO ALL THAT WAY 60 00:04:57,465 --> 00:04:59,066 WITHOUT BREAKFAST, ARTHUR. 61 00:04:59,066 --> 00:05:00,468 YOU MUST EAT, SWEETIE. 62 00:05:00,468 --> 00:05:02,069 I LIKE FEELING EMPTY. 63 00:05:02,069 --> 00:05:03,604 NOW, YOU KNOW YOU DON'T. 64 00:05:03,604 --> 00:05:05,339 WHAT FUNNY THINGS YOU SAY 65 00:05:05,339 --> 00:05:07,074 IN ONE OF YOUR MOODS. 66 00:05:07,074 --> 00:05:08,175 I'M EMPTY, JOAN. 67 00:05:08,175 --> 00:05:09,877 NOTHING INSIDE ME. NOTHING AT ALL. 68 00:05:09,877 --> 00:05:12,079 OH, WHAT, ARTHUR? NOT EVEN A SONG? 69 00:05:12,079 --> 00:05:14,081 NOT A TEENY-WEENY LITTLE TUNE? 70 00:05:14,081 --> 00:05:16,049 I KEEP THEM SONGS IN MY BAG, 71 00:05:16,049 --> 00:05:17,084 NOT IN MY HEART. 72 00:05:17,084 --> 00:05:19,987 AND IN YOUR HEAD. 73 00:05:19,987 --> 00:05:21,922 YOU KNOW THAT FELLA AT THE BANK YESTERDAY? 74 00:05:21,922 --> 00:05:24,525 HE SAID HE DIDN'T RECKON THERE WAS A FELLA IN ALL CHICAGO 75 00:05:24,525 --> 00:05:27,528 WHO KNEW MORE ABOUT SONGS THAT SELL THAN ME. 76 00:05:27,528 --> 00:05:29,129 DID HE SAY THAT? 77 00:05:29,129 --> 00:05:31,699 HE SAID, "BORROW WHAT YOU LIKE. 78 00:05:31,699 --> 00:05:35,736 A FELLA LIKE YOU IS NO RISK, NO RISK AT ALL." 79 00:05:35,736 --> 00:05:39,139 IS THAT TRUE, ARTHUR? 80 00:05:39,139 --> 00:05:41,542 AND I SAID, "I DON'T WANT IT. 81 00:05:41,542 --> 00:05:44,011 "MY WIFE'S GOT SOME CASH, 82 00:05:44,011 --> 00:05:45,546 AND SHE'LL SUPPORT ME." 83 00:05:45,546 --> 00:05:47,481 WE NEED THAT MONEY, ARTHUR, 84 00:05:47,481 --> 00:05:49,149 FOR OUR OLD AGE. 85 00:05:49,149 --> 00:05:50,418 NO. 86 00:05:50,418 --> 00:05:53,153 WE NEED IT NOW, JOAN. 87 00:05:53,153 --> 00:05:55,155 HONEY, I'M A GOOD SALESMAN. 88 00:05:55,155 --> 00:05:57,157 I CAN PICK THE RIGHT SONGS. 89 00:05:57,157 --> 00:05:58,559 JESUS CHRIST ALMIGHTY. 90 00:05:58,559 --> 00:05:59,960 DON'T BLASPHEME, ARTHUR. 91 00:05:59,960 --> 00:06:02,963 CORN TO THE LEFT OF YOU, CORN TO THE RIGHT, 92 00:06:02,963 --> 00:06:05,633 AND THE STOREKEEPERS ARE DUMB AND WINDY 93 00:06:05,633 --> 00:06:07,701 AS MY OLD GRANNY'S ASSHOLE. 94 00:06:07,701 --> 00:06:08,936 ARTHUR. 95 00:06:08,936 --> 00:06:11,171 WELL, YOUR HICK STOREKEEPER CUSSES A LOT, BELIEVE ME. 96 00:06:11,171 --> 00:06:13,173 MY DADDY DIDN'T, NOT EVER. 97 00:06:13,173 --> 00:06:14,975 YEAH, BUT YOUR DADDY USED TO SING 98 00:06:14,975 --> 00:06:16,043 IN THE CHURCH CHOIR. 99 00:06:16,043 --> 00:06:18,579 HE WAS MORE A CHRISTIAN THAN A STOREKEEPER. 100 00:06:18,579 --> 00:06:20,180 HE MIGHT OVERCHARGE YOU, 101 00:06:20,180 --> 00:06:22,182 BUT HE SAID HIS PRAYERS. 102 00:06:22,182 --> 00:06:24,585 HONEY... HE WOULD WANT YOU 103 00:06:24,585 --> 00:06:27,588 TO USE THAT MONEY HE LEFT YOU. 104 00:06:27,588 --> 00:06:30,190 MONEY HE WORKED HARD FOR ALL HIS LIFE 105 00:06:30,190 --> 00:06:32,192 TO SAVE FOR A RAINY DAY? 106 00:06:32,192 --> 00:06:34,194 IT'S RAINING, POURING. 107 00:06:34,194 --> 00:06:35,996 OH, CHEER UP, ARTHUR. 108 00:06:35,996 --> 00:06:39,633 YOU WON'T SELL ANYTHING WITHOUT A SMILE. 109 00:06:50,911 --> 00:06:52,045 WHOO-HOO! 110 00:06:52,045 --> 00:06:53,447 OH, ARTHUR! 111 00:06:53,447 --> 00:06:54,848 MAKE ME HAPPY, JOAN. 112 00:06:54,848 --> 00:06:56,850 IT WOULD REALLY BE NICE, HUH? 113 00:06:56,850 --> 00:06:58,452 DOWN HERE ON THE FLOOR. 114 00:06:58,452 --> 00:06:59,787 ARTHUR! 115 00:06:59,787 --> 00:07:01,522 JOAN, LOOK. I WANT TO SHOW YOU SOMETHING, JOAN. 116 00:07:01,522 --> 00:07:03,591 STOP! ARTHUR! 117 00:07:03,591 --> 00:07:04,992 BIRDS DO IT. BEES DO IT. 118 00:07:04,992 --> 00:07:07,661 LITTLE BIRDIES IN THE TREES DO IT. 119 00:07:09,463 --> 00:07:13,934 WELL...IT WAS JUST A THOUGHT. 120 00:07:15,669 --> 00:07:18,506 A VERY PECULIAR THOUGHT, ARTHUR. 121 00:07:20,874 --> 00:07:24,478 DON'T YOU EVER LISTEN TO THE WORDS 122 00:07:24,478 --> 00:07:27,280 IN THE SONGS, IN THESE SONGS? 123 00:07:27,280 --> 00:07:29,950 THAT'S NOT REAL LIFE. 124 00:07:29,950 --> 00:07:31,451 REAL LIFE? 125 00:07:31,451 --> 00:07:34,722 YOU TELL ME WHAT REAL LIFE IS. 126 00:07:34,722 --> 00:07:36,890 IT'S A BOWL OF DOG BISCUITS. 127 00:07:36,890 --> 00:07:39,092 THERE'S NOTHING WRONG WITH THAT... 128 00:07:39,092 --> 00:07:40,628 IF YOU'RE A DOG. 129 00:07:40,628 --> 00:07:42,730 [LAUGHS SOFTLY] 130 00:07:42,730 --> 00:07:46,900 THAT'S WHAT YOU WANT. YOU WANT A GODDAMN POODLE. 131 00:07:46,900 --> 00:07:49,469 NOT A MAN. NOT A REAL MAN! 132 00:07:49,469 --> 00:07:51,371 DON'T BE SILLY, ARTHUR. 133 00:07:51,371 --> 00:07:53,373 WELL, I'LL TELL YOU THIS... 134 00:07:53,373 --> 00:07:54,775 THIS IS ONE OLD DOG 135 00:07:54,775 --> 00:07:56,777 WHO AIN'T COMING BACK TO THE KENNEL. 136 00:07:56,777 --> 00:07:58,979 WHAT DO YOU MEAN, ARTHUR? 137 00:07:58,979 --> 00:08:01,148 3 GUESSES. 138 00:08:01,148 --> 00:08:02,583 ARTHUR? 139 00:08:03,984 --> 00:08:05,418 Man: $1,000. 140 00:08:05,418 --> 00:08:07,387 WHAT ON EARTH DO YOU WANT 141 00:08:07,387 --> 00:08:09,389 WITH $1,000, MR., UH, PARKER? 142 00:08:09,389 --> 00:08:11,559 I WANT MORE CAPITAL FOR MY BUSINESS. 143 00:08:11,559 --> 00:08:12,960 SELLING SHEET MUSIC? 144 00:08:12,960 --> 00:08:15,495 YEAH, SONGS... ON COMMISSION. 145 00:08:15,495 --> 00:08:18,098 I GOT A BAD TERRITORY, SEE-- 146 00:08:18,098 --> 00:08:20,000 EAST CENTRAL ILLINOIS. 147 00:08:20,000 --> 00:08:21,802 GOD HELP ME. 148 00:08:21,802 --> 00:08:25,238 I WANT TO MUSCLE IN ON INDIANAPOLIS AS WELL. 149 00:08:25,238 --> 00:08:26,540 YOU GET ME? 150 00:08:26,540 --> 00:08:27,941 YES. WELL, WITH ALL SUCH LARGE SUMS OF MONEY, 151 00:08:27,941 --> 00:08:31,011 THE QUESTION OF ADEQUATE COLLATERAL CANNOT BE EVADED. 152 00:08:31,011 --> 00:08:32,746 PARDON? 153 00:08:32,746 --> 00:08:34,414 WELL, YOU SEE HERE, YOUR WIFE HAS 154 00:08:34,414 --> 00:08:36,216 A DEPOSIT ACCOUNT AT THIS BRANCH. 155 00:08:36,216 --> 00:08:37,117 THAT'S HERS. 156 00:08:37,117 --> 00:08:38,418 THAT IS SOMETHING QUITE SEPARATE. 157 00:08:38,418 --> 00:08:39,953 HER DAD WILLED HER THAT. 158 00:08:39,953 --> 00:08:42,389 YES, BUT IF THAT COULD BE PUT UP AS COLLATERAL-- 159 00:08:42,389 --> 00:08:44,391 DON'T YOU GOD DAMN WELL UNDERSTAND? 160 00:08:44,391 --> 00:08:45,726 REALLY, MR. PARKER, 161 00:08:45,726 --> 00:08:48,562 THAT SORT OF LANGUAGE WON'T HELP ONE LITTLE BIT. 162 00:08:48,562 --> 00:08:50,564 WHAT WILL HELP, THEN? YOU TELL ME. 163 00:08:50,564 --> 00:08:52,900 WELL, THAT'S WHAT I'VE BEEN TRYING TO TELL YOU. 164 00:08:52,900 --> 00:08:54,835 WITHOUT DRAGGING IN MY WIFE'S CASH. 165 00:08:54,835 --> 00:08:56,837 WHICH REPRESENTS THE ONLY CHANCE OF YOUR GETTING 166 00:08:56,837 --> 00:08:59,106 A LOAN OF THE SIZE OF WHICH YOU ARE PROPOSING. 167 00:08:59,106 --> 00:09:01,174 WHAT ABOUT THIS, THEN? 168 00:09:01,174 --> 00:09:04,011 THIS IS WHAT YOU SELL THINGS WITH, BROTHER. 169 00:09:04,011 --> 00:09:06,013 IT'S WHAT'S UP HERE THAT MATTERS. 170 00:09:06,013 --> 00:09:08,381 I KNOW THE KIND OF SONGS THAT SELL. 171 00:09:08,381 --> 00:09:09,783 I GOT AN INSTINCT FOR IT, 172 00:09:09,783 --> 00:09:11,652 AND I GET 30% OF EVERY SONG SHEET 173 00:09:11,652 --> 00:09:13,754 I PUSH TO THE RETAILER...NEARLY. 174 00:09:13,754 --> 00:09:19,059 WELL...NEARLY 30% OF 10 CENTS. 175 00:09:19,059 --> 00:09:20,460 WHAT'S THE USE? 176 00:09:20,460 --> 00:09:21,862 WHAT'S THE GOOD OF SETTING UP 177 00:09:21,862 --> 00:09:23,597 YOUR OWN BUSINESS IN AMERICA TODAY? 178 00:09:23,597 --> 00:09:24,798 THE TIMES ARE HARD. 179 00:09:24,798 --> 00:09:25,999 THE DEPRESSION IS STILL WITH US. 180 00:09:25,999 --> 00:09:27,067 AND WHY? 181 00:09:27,067 --> 00:09:30,070 BECAUSE OF DRY ROT, THAT'S WHY. 182 00:09:30,070 --> 00:09:32,472 IT WAS SALESMANSHIP THAT MADE THIS COUNTRY GREAT, 183 00:09:32,472 --> 00:09:33,907 AND IT WILL BE SALESMANSHIP 184 00:09:33,907 --> 00:09:35,876 THAT WILL KEEP US GREAT. 185 00:09:35,876 --> 00:09:38,178 DRY ROT. THAT'S WHAT'S DOING THE DAMAGE--DRY ROT. 186 00:09:38,178 --> 00:09:44,017 THAT'S THE STUFF YOU'VE GOT BETWEEN YOUR EARS, PAL. 187 00:09:45,485 --> 00:09:47,087 GOOD DAY, PARKER. 188 00:09:47,087 --> 00:09:48,756 Sam Browne and The Carlyle Cousins: * DO WAH DO WAH * 189 00:09:48,756 --> 00:09:52,726 * DO WAH DO WAH DO WAH DO WALLA DO * 190 00:09:52,726 --> 00:09:56,496 * YES, YES, MY BABY SAID YES, YES * 191 00:09:56,496 --> 00:09:58,766 * I'M GLAD SHE SAID YES, YES * 192 00:09:58,766 --> 00:10:01,835 * INSTEAD OF NO, NO * 193 00:10:01,835 --> 00:10:03,503 * NEXT SUNDAY * 194 00:10:03,503 --> 00:10:05,739 * I DIDN'T SAY MONDAY * 195 00:10:05,739 --> 00:10:07,908 * IT'S GOT TO BE SUNDAY * 196 00:10:07,908 --> 00:10:10,911 * WE'RE READY TO GO * 197 00:10:10,911 --> 00:10:15,048 * SO TA-TA, WE'RE GONNA GO GAGA * 198 00:10:15,048 --> 00:10:17,517 * MY BABY LOVES GAGA * 199 00:10:17,517 --> 00:10:20,654 * SHE TOLD ME SO * 200 00:10:20,654 --> 00:10:22,055 * YES, YES * 201 00:10:22,055 --> 00:10:24,524 * MY BABY SAID YES, YES * 202 00:10:24,524 --> 00:10:26,794 * I'M GLAD SHE SAID YES, YES * 203 00:10:26,794 --> 00:10:29,129 * INSTEAD OF NO, NO * 204 00:12:12,499 --> 00:12:14,501 * YES, YES * 205 00:12:14,501 --> 00:12:17,170 * MY BABY SAID YES, YES * 206 00:12:17,170 --> 00:12:20,507 * I'M GLAD SHE SAID YES, YES * 207 00:12:20,507 --> 00:12:24,511 * INSTEAD OF NO, NO * 208 00:12:24,511 --> 00:12:26,179 * YES, YES * 209 00:12:26,179 --> 00:12:29,049 * MY BABY SAID YES, YES * 210 00:12:29,049 --> 00:12:32,052 * I'M GLAD SHE SAID YES, YES * 211 00:12:32,052 --> 00:12:35,055 * INSTEAD OF NO, NO * 212 00:12:35,055 --> 00:12:36,857 * INSTEAD OF NO-- * 213 00:13:07,087 --> 00:13:09,156 HEY, WHAT DID YOU YELL? 214 00:13:09,156 --> 00:13:10,057 M-M-ME? 215 00:13:10,057 --> 00:13:14,862 I D-D-DIDN'T HOLLER NOTHING, SIR. 216 00:13:14,862 --> 00:13:18,665 ANYTHING. I DIDN'T HOLLER ANYTHING. 217 00:13:18,665 --> 00:13:22,402 NO. N-N-NOR ME, SIR. 218 00:13:22,402 --> 00:13:24,872 COME ON. GET IN. 219 00:13:26,273 --> 00:13:27,807 BRING YOUR CASE. 220 00:13:27,807 --> 00:13:29,409 OH, THANK YOU. 221 00:13:29,409 --> 00:13:30,810 NO EXTRA CHARGE. 222 00:13:30,810 --> 00:13:33,280 THANKS A M-M-MILLION. 223 00:13:41,088 --> 00:13:43,690 TOO FAST FOR YOU, BUDDY? 224 00:13:43,690 --> 00:13:45,292 N-N-NICE, THIS... 225 00:13:45,292 --> 00:13:46,826 VEHICLE. 226 00:13:46,826 --> 00:13:48,428 NOT BAD. 227 00:13:50,430 --> 00:13:52,032 I WISH... 228 00:13:53,433 --> 00:13:54,935 WISH WHAT? 229 00:13:54,935 --> 00:14:00,273 I W-W-WISH I HAD ONE. 230 00:14:03,243 --> 00:14:05,278 HEY, WHAT'S IN THAT CASE? 231 00:14:05,278 --> 00:14:08,815 P-P-PIANO. 232 00:14:08,815 --> 00:14:10,217 OH, RIGHT, I SHOULD HAVE KNOWN. A PIANO. 233 00:14:10,217 --> 00:14:14,922 P-P-PIANO A-A-ACCORDION. 234 00:14:14,922 --> 00:14:19,059 YEAH? YOU CAN PLAY IT? 235 00:14:21,861 --> 00:14:24,031 IT'S MY LIVING. 236 00:14:41,248 --> 00:14:44,284 OH, NO. I THINK I KNOW 237 00:14:44,284 --> 00:14:47,287 WHAT I CAN AND CAN'T SELL IN MY OWN STORE, MR. PARKER. 238 00:14:47,287 --> 00:14:48,688 YOU SURE DO, MR. BARRETT. 239 00:14:48,688 --> 00:14:50,690 I WOULDN'T TRY TO TELL YOU WHAT YOU COULD SELL-- 240 00:14:50,690 --> 00:14:52,892 AND IF THERE IS A DEMAND FOR DESERT MOON-- 241 00:14:52,892 --> 00:14:54,294 PRAIRIE MOON. PRAIRIE MOON, SIR. 242 00:14:54,294 --> 00:14:56,463 THIS IS A GREAT, GREAT SONG, SIR. 243 00:14:56,463 --> 00:14:57,564 WELL, IF... 244 00:14:57,564 --> 00:14:59,299 I CAN JUST CALL THE WHOLESALER, RIGHT? 245 00:14:59,299 --> 00:15:01,301 AND WAIT A WEEK OR MORE? 246 00:15:01,301 --> 00:15:03,303 WHEREAS IF YOU TAKE A DOZEN NOW, SIR, 247 00:15:03,303 --> 00:15:05,738 YOU'LL BE READY WHEN THEY COME IN OUT OF THAT DOOR 248 00:15:05,738 --> 00:15:07,140 ASKING FOR THE SHEET MUSIC-- 249 00:15:07,140 --> 00:15:08,641 ONE MOMENT, PLEASE. 250 00:15:10,310 --> 00:15:12,312 CAN I HELP YOU, MA'AM? 251 00:15:12,312 --> 00:15:15,015 I WONDER--YOU SEE, I'M LOOKING FOR PART SONGS 252 00:15:15,015 --> 00:15:17,150 FOR A CHILDREN'S CHOIR. 253 00:15:17,150 --> 00:15:20,120 Mr. Barrett: YES, I BELIEVE I HAVE ONE BACK HERE. 254 00:15:28,195 --> 00:15:32,199 Bing Crosby: * DID YOU EVER SEE A DREAM WALKIN'? * 255 00:15:32,199 --> 00:15:35,435 * WELL, I DID * 256 00:15:35,435 --> 00:15:39,639 * DID YOU EVER HEAR A DREAM TALKIN'? * 257 00:15:39,639 --> 00:15:43,043 * WELL, I DID * 258 00:15:43,043 --> 00:15:47,780 * DID YOU EVER HAVE A DREAM THRILL YOU * 259 00:15:47,780 --> 00:15:51,918 * WITH "WILL YOU BE MINE?" * 260 00:15:51,918 --> 00:15:55,055 * OH, IT'S SO GRAND * 261 00:15:55,055 --> 00:15:58,591 * AND IT'S TOO, TOO DIVINE * 262 00:15:58,591 --> 00:16:02,562 * DID YOU EVER SEE A DREAM DANCIN'? * 263 00:16:02,562 --> 00:16:06,066 * WELL, I DID * 264 00:16:06,066 --> 00:16:09,936 * DID YOU EVER SEE A DREAM ROMANCIN'? * 265 00:16:09,936 --> 00:16:13,373 * WELL, I DID * 266 00:16:13,373 --> 00:16:17,610 * DID YOU EVER SEE HEAVEN RIGHT IN YOUR ARMS? * 267 00:16:17,610 --> 00:16:21,081 * SAYING, "I LOVE YOU, I DO"? * 268 00:16:21,081 --> 00:16:22,949 * WELL, THE DREAM THAT WAS WALKIN' * 269 00:16:22,949 --> 00:16:24,717 * AND THE DREAM THAT WAS TALKIN' * 270 00:16:24,717 --> 00:16:28,321 * AND THE HEAVEN IN MY ARMS WAS YOU * 271 00:16:48,641 --> 00:16:53,113 * DID YOU EVER SEE HEAVEN RIGHT IN YOUR ARMS? * 272 00:16:53,113 --> 00:16:55,982 * SAYING, "I LOVE YOU, I DO?" * 273 00:16:55,982 --> 00:16:57,517 * WELL, THE DREAM THAT WAS WALKIN' * 274 00:16:57,517 --> 00:16:59,252 * AND THE DREAM THAT WAS TALKIN' * 275 00:16:59,252 --> 00:17:03,123 * AND THE HEAVEN IN MY ARMS WAS YOU * 276 00:17:06,859 --> 00:17:09,262 AH, IT'S NOT HERE, I'M AFRAID, 277 00:17:09,262 --> 00:17:11,264 BUT I'M SURE I CAN GET IT FOR YOU, MRS... 278 00:17:11,264 --> 00:17:12,665 MISS. MISS EVERSON. 279 00:17:12,665 --> 00:17:15,335 I WANT IT FOR THE CHILDREN IN MY CLASS. 280 00:17:15,335 --> 00:17:18,271 Mr. Barrett: COULD YOU GIVE ME AN ADDRESS, PLEASE? 281 00:17:20,873 --> 00:17:23,876 [SOFTLY] MISS EILEEN EVERSON, 282 00:17:23,876 --> 00:17:25,878 CARE OF LINCOLN JUNIOR SCHOOL. 283 00:17:25,878 --> 00:17:27,880 VERY GOOD, MISS EVERSON. 284 00:17:27,880 --> 00:17:30,283 I'LL SEE WHAT I CAN DO. 285 00:17:30,283 --> 00:17:32,285 HAVE A NICE DAY. 286 00:17:32,285 --> 00:17:34,787 [DOORBELL JINGLES] 287 00:17:36,889 --> 00:17:39,292 YOU KNOW WHAT SHE NEEDS, DON'T YOU? 288 00:17:40,493 --> 00:17:42,895 JUST SIGN FOR WHAT YOU HAVE ORDERED. 289 00:17:42,895 --> 00:17:45,298 DON'T TALK ABOUT A LADY LIKE THAT. 290 00:17:45,298 --> 00:17:51,938 Accordion man: * ROCK OF AGES, CLEFT FOR ME * 291 00:17:51,938 --> 00:17:58,511 * LET ME HIDE MYSELF IN THEE * 292 00:18:01,848 --> 00:18:05,051 THANK YOU. THANK YOU VERY, VERY MUCH, FOLKS. 293 00:18:05,051 --> 00:18:06,853 THANK YOU. THANK YOU, FOLKS. 294 00:18:06,853 --> 00:18:09,989 THANK YOU VERY, VERY MUCH. THANK YOU, FOLKS. 295 00:18:09,989 --> 00:18:12,325 THANK YOU VERY, VERY MUCH. 296 00:18:12,325 --> 00:18:13,926 IT WAS VERY NICE. 297 00:18:13,926 --> 00:18:15,928 P-P-PARDON, LADY? 298 00:18:15,928 --> 00:18:17,830 IT WAS NICE. 299 00:18:17,830 --> 00:18:19,666 [COIN CLINKS] 300 00:18:19,666 --> 00:18:21,067 A NICE HYMN. 301 00:18:21,067 --> 00:18:25,472 OH, S-S-SHALL I P-P-PLAY YOU ANOTHER ONE? 302 00:18:25,472 --> 00:18:27,674 THE OLD RUGGED C-C-CROSS? 303 00:18:27,674 --> 00:18:29,075 [HORN HONKS] 304 00:18:29,075 --> 00:18:31,077 NO, THANK YOU VERY MUCH. 305 00:18:31,077 --> 00:18:33,079 I'LL PLAY THE OLD RUGGED CROSS. 306 00:18:33,079 --> 00:18:34,080 NO. 307 00:18:34,080 --> 00:18:35,682 [PLAYING ACCORDION] 308 00:18:35,682 --> 00:18:37,684 * ON A HILL * 309 00:18:37,684 --> 00:18:39,085 HELLO, FATHER. 310 00:18:39,085 --> 00:18:40,687 COME ON, EILEEN. 311 00:18:40,687 --> 00:18:42,088 YES, FATHER. 312 00:18:42,088 --> 00:18:43,490 LET'S GO, BOY. 313 00:18:43,490 --> 00:18:47,627 * ...AN OLD RUGGED CROSS * 314 00:18:47,627 --> 00:18:57,904 * THE EMBLEM OF SUFFERING AND SHAME * 315 00:18:57,904 --> 00:19:00,240 SHUT UP, YOU FOOL. 316 00:19:00,240 --> 00:19:02,275 [STOPS PLAYING] 317 00:19:21,093 --> 00:19:22,695 [THUNDER] 318 00:19:34,374 --> 00:19:36,576 HOW LONG IS IT SINCE YOU ATE? 319 00:19:36,576 --> 00:19:40,179 I EAT HERE AND...THERE. 320 00:19:40,179 --> 00:19:42,882 NOW AND THEN'S MORE LIKE IT. 321 00:19:46,586 --> 00:19:49,589 AIN'T YOU HUNGRY, MISTER? 322 00:19:49,589 --> 00:19:52,659 OH, I'M HUNGRY, ALL RIGHT. 323 00:19:52,659 --> 00:19:55,395 DIDN'T... 324 00:19:57,196 --> 00:19:59,399 D-D-DIDN'T YOU LIKE IT? 325 00:20:06,205 --> 00:20:10,042 WHEN YOU THINK ABOUT THINGS... 326 00:20:10,042 --> 00:20:13,613 BEFORE YOU GO TO SLEEP AT NIGHT... 327 00:20:13,613 --> 00:20:16,816 WHEN YOUR HEAD IS STILL... 328 00:20:19,218 --> 00:20:21,754 NO, I DON'T WANT IT. 329 00:20:21,754 --> 00:20:25,224 YOU CAN HAVE IT. 330 00:20:25,224 --> 00:20:28,728 AND GOOD LUCK TO YOU, BUDDY. 331 00:20:31,798 --> 00:20:33,766 Arthur Tracy: * A LONG TIME AGO * 332 00:20:33,766 --> 00:20:36,769 * A MILLION YEARS B.C. * 333 00:20:36,769 --> 00:20:42,342 * THE BEST THINGS IN LIFE WERE ABSOLUTELY FREE * 334 00:20:42,342 --> 00:20:45,778 * BUT NO ONE APPRECIATED * 335 00:20:45,778 --> 00:20:48,748 * A SKY THAT WAS ALWAYS BLUE * 336 00:20:48,748 --> 00:20:52,719 * AND NO ONE CONGRATULATED * 337 00:20:52,719 --> 00:21:00,259 * A MOON THAT WAS ALWAYS NEW * 338 00:21:00,259 --> 00:21:01,528 * SO IT WAS PLANNED * 339 00:21:01,528 --> 00:21:05,131 * THAT THEY WOULD VANISH NOW AND THEN * 340 00:21:05,131 --> 00:21:06,499 * AND YOU MUST PAY * 341 00:21:06,499 --> 00:21:09,769 * BEFORE YOU GET THEM BACK AGAIN * 342 00:21:12,271 --> 00:21:17,076 * THAT'S WHAT STORMS WERE MADE FOR * 343 00:21:17,076 --> 00:21:22,949 * AND YOU SHOULDN'T BE AFRAID, FOR... * 344 00:21:22,949 --> 00:21:29,288 * EVERY TIME IT RAINS, IT RAINS * 345 00:21:29,288 --> 00:21:31,958 * PENNIES FROM HEAVEN * 346 00:21:33,426 --> 00:21:38,030 * DON'T YOU KNOW EACH CLOUD CONTAINS * 347 00:21:38,030 --> 00:21:40,867 * PENNIES FROM HEAVEN? * 348 00:21:42,301 --> 00:21:46,906 * YOU'LL FIND YOUR FORTUNE FALLING * 349 00:21:46,906 --> 00:21:50,843 * ALL OVER TOWN * 350 00:21:50,843 --> 00:21:55,548 * BE SURE THAT YOUR UMBRELLA * 351 00:21:55,548 --> 00:22:00,052 * IS UPSIDE DOWN * 352 00:22:00,052 --> 00:22:08,928 * TRADE THEM FOR A PACKAGE OF SUNSHINE AND FLOWERS * 353 00:22:08,928 --> 00:22:13,700 * IF YOU WANT THE THINGS YOU LOVE * 354 00:22:13,700 --> 00:22:18,771 * YOU MUST HAVE SHOWERS * 355 00:22:18,771 --> 00:22:22,675 * SO, WHEN YOU HEAR IT THUNDER * 356 00:22:22,675 --> 00:22:27,346 * DON'T RUN UNDER A TREE * 357 00:22:27,346 --> 00:22:30,717 * THERE'LL BE PENNIES FROM HEAVEN * 358 00:22:30,717 --> 00:22:36,523 * FOR YOU AND ME * 359 00:22:39,426 --> 00:22:41,528 [THUNDER] 360 00:23:49,662 --> 00:23:53,800 * SO, WHEN YOU HEAR IT THUNDER * 361 00:23:53,800 --> 00:23:58,505 * DON'T RUN UNDER A TREE * 362 00:23:58,505 --> 00:24:01,574 * THERE'LL BE PENNIES FROM HEAVEN * 363 00:24:01,574 --> 00:24:12,418 * FOR YOU AND ME * 364 00:24:12,418 --> 00:24:15,622 WHERE DO YOU SLEEP TONIGHT, BUDDY? 365 00:24:18,691 --> 00:24:21,293 DID YOU HEAR WHAT I SAID? 366 00:24:21,293 --> 00:24:23,029 ALLEY. 367 00:24:23,029 --> 00:24:24,430 WHAT? 368 00:24:24,430 --> 00:24:27,433 WHERE I WAS PLAYING... 369 00:24:27,433 --> 00:24:31,037 THERE... WAS AN ALLEY. 370 00:24:33,840 --> 00:24:37,043 THERE WAS A GIRL... WASN'T THERE? 371 00:24:37,043 --> 00:24:38,578 GAVE YOU SOME MONEY 372 00:24:38,578 --> 00:24:40,913 JUST BEFORE WE CAME IN HERE. 373 00:24:40,913 --> 00:24:41,914 YEAH. 374 00:24:44,050 --> 00:24:46,452 SHE WAS BEAUTIFUL-- 375 00:24:46,452 --> 00:24:49,088 THE WAY SHE HELD HER HEAD, 376 00:24:49,088 --> 00:24:51,691 THE WAY SHE WALKED. 377 00:24:52,859 --> 00:24:55,261 IT'S FUNNY HOW ONE LOOK CAN... 378 00:24:56,596 --> 00:24:59,498 WHAT ARE YOU GRINNING AT? 379 00:24:59,498 --> 00:25:01,500 SHE...GAVE ME A DIME. 380 00:25:01,500 --> 00:25:03,169 IS THAT ALL YOU GOT? 381 00:25:03,169 --> 00:25:06,505 DIDN'T NOBODY ELSE PUT NOTHING IN THE HAT? 382 00:25:06,505 --> 00:25:07,506 NO. 383 00:25:07,506 --> 00:25:09,508 YOU CAN'T LIVE ON A DIME. 384 00:25:09,508 --> 00:25:11,510 YOU'RE DOING WORSE THAN ME. 385 00:25:11,510 --> 00:25:13,713 HERE. HERE'S A QUARTER. 386 00:25:14,781 --> 00:25:16,983 GO ON, TAKE IT, ROCKEFELLER. 387 00:25:16,983 --> 00:25:18,718 FEEL RICH. 388 00:25:20,119 --> 00:25:22,521 GOD BLESS YOU. 389 00:25:22,521 --> 00:25:24,123 BLESS YOU. 390 00:25:24,123 --> 00:25:25,524 CUT IT OUT! 391 00:25:25,524 --> 00:25:27,526 WHAT ARE YOU, A GODDAMN PANSY? 392 00:25:27,526 --> 00:25:28,928 I'M SORRY, MISTER. 393 00:25:28,928 --> 00:25:31,530 SLEEP ON THE SIDEWALK, FOR ALL I CARE. 394 00:25:31,530 --> 00:25:33,132 MISTER-- 395 00:26:27,319 --> 00:26:29,121 DON'T BE SCARED. 396 00:26:29,121 --> 00:26:32,491 WHO ARE YOU? 397 00:26:32,491 --> 00:26:34,694 WHAT ARE YOU DOING? 398 00:26:34,694 --> 00:26:36,562 EILEEN. 399 00:26:36,562 --> 00:26:38,430 WHAT DO YOU WANT? 400 00:26:38,430 --> 00:26:40,566 HOW DO YOU KNOW MY NAME? 401 00:26:40,566 --> 00:26:41,901 EILEEN-- 402 00:26:41,901 --> 00:26:43,535 GO AWAY. LEAVE ME ALONE. 403 00:26:43,535 --> 00:26:46,105 OH, DON'T. OH, PLEASE, PLEASE. 404 00:26:55,181 --> 00:26:57,183 I'VE SEEN YOU... 405 00:26:58,718 --> 00:27:00,687 IN THE MUSIC STORE. 406 00:27:02,188 --> 00:27:05,591 THERE'S A SONG... 407 00:27:05,591 --> 00:27:08,194 LIKE IN THE SONG. 408 00:27:08,194 --> 00:27:09,461 WHAT? 409 00:27:09,461 --> 00:27:11,263 THEY TELL THE TRUTH. 410 00:27:11,263 --> 00:27:13,465 SONGS DO. 411 00:27:13,465 --> 00:27:15,267 STAY WHERE YOU ARE, PLEASE. 412 00:27:15,267 --> 00:27:17,469 I OVERHEARD YOU SAY YOU WERE A TEACHER, 413 00:27:17,469 --> 00:27:18,738 AND I ASKED SOME OF THE KIDS 414 00:27:18,738 --> 00:27:20,006 WHERE YOU LIVED. 415 00:27:20,006 --> 00:27:22,041 WHY? 416 00:27:23,609 --> 00:27:25,611 I'VE BEEN LOOKING FOR YOU. 417 00:27:25,611 --> 00:27:27,613 ALL MY LIFE, I'VE BEEN LOOKING 418 00:27:27,613 --> 00:27:29,816 FOR YOU, MISS EVERSON. 419 00:27:31,617 --> 00:27:33,820 I DON'T UNDERSTAND. 420 00:27:35,621 --> 00:27:38,624 YOU'VE BEEN IN MY HEAD, EILEEN, 421 00:27:38,624 --> 00:27:41,227 AND IN MY HEART... 422 00:27:41,227 --> 00:27:43,095 IN MY SOUL. 423 00:27:45,031 --> 00:27:48,000 I WANT TO TALK TO YOU. 424 00:27:48,000 --> 00:27:51,804 PLEASE, LET ME TALK WITH YOU. 425 00:27:51,804 --> 00:27:54,173 Man: EILEEN. 426 00:27:54,173 --> 00:27:55,775 WHO'S THAT? 427 00:27:55,775 --> 00:27:58,878 MY BROTHER. 428 00:27:58,878 --> 00:28:01,413 I GOT TO TALK TO YOU. 429 00:28:01,413 --> 00:28:05,251 Man: EILEEN, COME HERE. 430 00:28:06,652 --> 00:28:08,921 I DON'T EVEN KNOW WHO YOU ARE. 431 00:28:10,656 --> 00:28:12,658 ARTHUR. 432 00:28:12,658 --> 00:28:15,261 I'M ARTHUR... 433 00:28:15,261 --> 00:28:17,663 AND I LOVE YOU. 434 00:28:17,663 --> 00:28:19,065 [BASEBALL GAME ON RADIO] 435 00:28:19,065 --> 00:28:22,068 WE'RE NEVER GOING TO GET OUT OF THIS DEPRESSION. 436 00:28:22,068 --> 00:28:24,670 THE HOURS I'VE PUT IN, DOOR TO DOOR, 437 00:28:24,670 --> 00:28:26,072 FOR NOTHING, PEANUTS, 438 00:28:26,072 --> 00:28:27,673 SELLING WHAT IS, IN FACT, 439 00:28:27,673 --> 00:28:28,808 A VERY GOOD SET OF BRUSHES. 440 00:28:28,808 --> 00:28:30,810 IT'S THE GODDAMN TERRITORY, AIN'T IT? 441 00:28:30,810 --> 00:28:32,812 THEY JUST SLAM THE DOOR IN YOUR FACE. 442 00:28:32,812 --> 00:28:34,180 YEAH, IT'S THE TERRITORY. 443 00:28:34,180 --> 00:28:36,082 THERE'S NO DOUBT ABOUT IT. 444 00:28:36,082 --> 00:28:38,684 WE'D ALL BE SMARTER BUMMING THE ROADS. 445 00:28:38,684 --> 00:28:40,686 WHAT DO YOU SAY, ARTHUR? 446 00:28:40,686 --> 00:28:42,955 HARD TIMES, AIN'T IT, ARTHUR? 447 00:28:42,955 --> 00:28:46,258 I'M SORRY. WHAT DID YOU SAY? 448 00:28:46,258 --> 00:28:49,361 I DON'T SUPPOSE YOU'RE DOING TOO WELL EITHER, HUH, ARTHUR? 449 00:28:49,361 --> 00:28:50,830 NOT DOING VERY WELL? 450 00:28:50,830 --> 00:28:53,232 HEY, WAKE UP, OLD BUDDY. 451 00:28:53,232 --> 00:28:57,703 OH. OH, I'M DOING VERY WELL. 452 00:28:57,703 --> 00:28:59,638 VERY, VERY WELL, INDEEDY. 453 00:28:59,638 --> 00:29:01,573 YOU HEADING FOR THE CUCKOO HOUSE, 454 00:29:01,573 --> 00:29:02,708 ARE YOU, ARTHUR? 455 00:29:02,708 --> 00:29:06,345 ME? NO CHANCE. 456 00:29:07,746 --> 00:29:09,748 I'LL TELL YOU GUYS SOMETHING. 457 00:29:09,748 --> 00:29:11,550 EVERYBODY WHO EVER LIVED 458 00:29:11,550 --> 00:29:15,154 IN THE ENTIRE HISTORY OF THESE HERE UNITED STATES 459 00:29:15,154 --> 00:29:18,791 WOULD WANT TO BE ME IF THEY KNEW WHAT I FELT LIKE INSIDE. 460 00:29:18,791 --> 00:29:22,028 WHAT'S WRONG, ARTHUR? 461 00:29:22,028 --> 00:29:23,429 THAT'S THE TROUBLE WITH YOU GUYS. 462 00:29:23,429 --> 00:29:25,464 YOU WALK AROUND WITH DIRT AND ASH IN YOUR EYEBALLS. 463 00:29:25,464 --> 00:29:26,833 HEY. HEY. 464 00:29:26,833 --> 00:29:29,235 YOU JUST CAN'T BEGIN TO SEE 465 00:29:29,235 --> 00:29:32,171 WHAT A FANTASTIC WORLD IT IS WE LIVE IN. 466 00:29:32,171 --> 00:29:35,707 COME ON, GET YOUR GODDAMN CHINS UP OFF THE FLOOR. 467 00:29:35,707 --> 00:29:39,378 IT'S BEAUTIFUL. IT IS. 468 00:29:40,779 --> 00:29:45,985 SHINING. THE WHOLE PLACE IS SHINING. 469 00:29:47,786 --> 00:29:49,856 CAN'T YOU SEE IT? 470 00:29:50,957 --> 00:29:53,759 DON'T YOU FEEL IT? 471 00:29:53,759 --> 00:29:56,162 SOUNDS LIKE A CRATE OF EGGS TO ME. 472 00:29:56,162 --> 00:29:58,197 SLICED BALONEY, MORE LIKE IT. 473 00:29:58,197 --> 00:30:01,400 YEAH, IT WOULD TO YOU, ED, WOULDN'T IT? 474 00:30:01,400 --> 00:30:02,801 WHAT DO YOU MEAN? 475 00:30:02,801 --> 00:30:04,203 BECAUSE YOU DON'T KNOW 476 00:30:04,203 --> 00:30:06,805 THE YOUNG LADY IN QUESTION, DO YOU? 477 00:30:06,805 --> 00:30:08,207 AHA! AHA! 478 00:30:08,207 --> 00:30:10,409 IT'S IMPOSSIBLE TO EXPLAIN. 479 00:30:10,409 --> 00:30:12,078 NOT THE SORT OF THING 480 00:30:12,078 --> 00:30:13,079 YOU CAN PUT INTO WORDS. 481 00:30:13,079 --> 00:30:16,883 [TOGETHER] OH, YES, IT IS. 482 00:30:22,621 --> 00:30:24,957 The Boswell Sisters * IT ISN'T THE PADDLE * 483 00:30:24,957 --> 00:30:26,558 * IT'S NOT THE CANOE * 484 00:30:26,558 --> 00:30:27,994 * IT ISN'T THE RIVER * 485 00:30:27,994 --> 00:30:30,062 * OR SKIES THAT ARE BLUE * 486 00:30:30,062 --> 00:30:33,065 * IT ISN'T THE LOVE DREAMS THAT BRING JOY TO YOU * 487 00:30:33,065 --> 00:30:35,968 * IT'S A GIRL, OH * 488 00:30:35,968 --> 00:30:38,837 * IT'S A GIRL IN THE BROOKLET * 489 00:30:38,837 --> 00:30:40,839 * THAT YOU ALWAYS WANDER TO * 490 00:30:40,839 --> 00:30:43,876 * IT ISN'T THE MOUNTAIN, FLOWERS, OR THE MORNING DEW * 491 00:30:43,876 --> 00:30:47,513 * IT ISN'T THE LOVE NEST THAT BRINGS LOVE TO YOU * 492 00:30:47,513 --> 00:30:49,115 * IT'S A GIRL THAT MAKES YOU HAPPY * 493 00:30:49,115 --> 00:30:50,983 * AND IT'S A GIRL THAT MAKES YOU BLUE * 494 00:30:50,983 --> 00:30:54,386 * YOU OPENED UP AND * 495 00:30:54,386 --> 00:30:57,056 * WHAT A LONELY WORLD IT WOULD BE WITHOUT THEM * 496 00:30:57,056 --> 00:31:01,093 * IT ISN'T THE SONGBIRDS OR SONGS THAT THEY SING * 497 00:31:01,093 --> 00:31:04,496 * IT ISN'T THE SUNSHINE THAT MAKES YOU LIKE SPRING * 498 00:31:04,496 --> 00:31:07,566 * SO WHAT IS THIS MAGIC THAT MAKES ALL US SING? * 499 00:31:07,566 --> 00:31:09,268 * IT'S A GIRL * 500 00:31:09,268 --> 00:31:12,438 * OH, IT'S A GIRL * 501 00:32:24,743 --> 00:32:26,012 YEAH! YEAH! 502 00:32:26,012 --> 00:32:29,448 DID YOU GET YOUR HAND UP HER SKIRT, ARTHUR? 503 00:32:29,448 --> 00:32:31,717 YOU LAY HER IN THE BACKSEAT? 504 00:32:32,784 --> 00:32:34,653 HAS SHE GOT BIG TITS? 505 00:32:34,653 --> 00:32:36,055 SON OF A BITCH! 506 00:32:36,055 --> 00:32:39,258 HEY! EASY! HEY! HE WAS KIDDING! 507 00:32:39,258 --> 00:32:41,393 EVERYTHING I'VE EVER DREAMED OF, 508 00:32:41,393 --> 00:32:44,396 HOPED FOR, OR LONGED FOR... 509 00:32:44,396 --> 00:32:47,599 EVERYTHING DEEP INSIDE ME... 510 00:32:47,599 --> 00:32:49,601 HERE IN MY HEART... 511 00:32:49,601 --> 00:32:51,337 SHE'S EVERYTHING. 512 00:32:52,338 --> 00:32:53,872 Eileen: AND SO THE HANDSOME PRINCE 513 00:32:53,872 --> 00:32:55,274 STEPPED OUT FROM THE TREES 514 00:32:55,274 --> 00:32:57,376 AND LOOKED UP AT THE TINY WINDOW 515 00:32:57,376 --> 00:33:02,414 AT THE TOP OF THE TALL, TALL TOWER THAT HAD NO DOOR. 516 00:33:02,414 --> 00:33:05,017 "RAPUNZEL, RAPUNZEL," HE CALLED, 517 00:33:05,017 --> 00:33:07,419 "LET DOWN YOUR HAIR." 518 00:33:07,419 --> 00:33:11,023 AND THINKING IT WAS THE OLD WITCH, 519 00:33:11,023 --> 00:33:14,793 RAPUNZEL LET DOWN HER HAIR, 520 00:33:14,793 --> 00:33:17,096 LONG, SHINING, GOLDEN HAIR, 521 00:33:17,096 --> 00:33:23,302 ALL THE WAY DOWN, DOWN, DOWN TO THE GROUND, 522 00:33:23,302 --> 00:33:25,704 AND... 523 00:33:27,706 --> 00:33:29,108 AND THEN... 524 00:33:29,108 --> 00:33:32,111 Students: THE PRINCE CLIMBED UP. 525 00:33:32,111 --> 00:33:35,514 JUST AS HE HAD SEEN THE OLD WITCH DO, 526 00:33:35,514 --> 00:33:38,117 BUT WHEN HE CAME TO THE WINDOW, 527 00:33:38,117 --> 00:33:40,119 RAPUNZEL STEPPED BACK IN FEAR. 528 00:33:40,119 --> 00:33:42,121 OH, MY, SHE WAS SCARED. 529 00:33:42,121 --> 00:33:45,991 SHE HAD NEVER SEEN A MAN BEFORE. 530 00:33:45,991 --> 00:33:47,526 [STUDENTS LAUGHING] 531 00:33:47,526 --> 00:33:51,130 OH, YES, SOME OF YOU BOYS CAN LAUGH, 532 00:33:51,130 --> 00:33:54,133 BUT HIS FACE WAS SO NICE, 533 00:33:54,133 --> 00:33:57,536 AND HIS EYES WERE SO KIND... 534 00:33:57,536 --> 00:34:01,140 AND HIS VOICE WAS SO GENTLE... 535 00:34:01,140 --> 00:34:04,610 [STUDENTS LAUGHING] 536 00:34:06,612 --> 00:34:07,746 QUIET! 537 00:34:07,746 --> 00:34:09,681 [LAUGHTER STOPS] 538 00:34:09,681 --> 00:34:12,084 [MUSIC PLAYING] 539 00:34:18,224 --> 00:34:23,562 Phyllis Robbins: * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 540 00:34:23,562 --> 00:34:28,367 * BABY, THERE IS NOTHING LOVE CAN'T DO * 541 00:34:28,367 --> 00:34:33,139 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 542 00:34:33,139 --> 00:34:37,309 * HOW'S ABOUT A SWEET ROMANCE OR 2? * 543 00:34:37,309 --> 00:34:39,911 * A KISS WILL PEP YOU UP * 544 00:34:39,911 --> 00:34:42,514 * A LITTLE HUG WILL STEP YOU UP * 545 00:34:42,514 --> 00:34:44,416 * IF DREAMS HAVE KEPT YOU UP * 546 00:34:44,416 --> 00:34:46,652 * YOU DON'T NEED PILLS, YOU NEED THRILLS * 547 00:34:46,652 --> 00:34:51,923 * LOVE'S A PRECIOUS THING THAT NEVER FAILS YOU * 548 00:34:51,923 --> 00:34:55,727 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 549 00:35:59,725 --> 00:36:00,792 YEAH! 550 00:36:13,272 --> 00:36:16,408 * LOVE IS GOOD FOR ANYTHING * 551 00:36:18,477 --> 00:36:20,946 * BABY, I SAID ANYTHING * 552 00:36:27,953 --> 00:36:32,858 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 553 00:36:32,858 --> 00:36:34,626 [STUDENTS LAUGHING] 554 00:36:34,626 --> 00:36:37,929 Boy: OH, NO. IT'S MR. WARNER. 555 00:36:41,199 --> 00:36:43,535 NEVER HAVE I HEARD SUCH A COMMOTION. 556 00:36:43,535 --> 00:36:46,338 WHERE ON EARTH DO YOU THINK YOU ARE, 557 00:36:46,338 --> 00:36:47,939 A FAIRGROUND? 558 00:36:47,939 --> 00:36:49,808 [BOY LAUGHS] 559 00:36:49,808 --> 00:36:52,544 COME HERE, BOY. 560 00:36:55,814 --> 00:36:57,816 PUT OUT YOUR HANDS. 561 00:37:00,051 --> 00:37:01,653 MR. WARNER. 562 00:37:01,653 --> 00:37:03,221 ONE WORD... 563 00:37:03,221 --> 00:37:05,223 ONE SOUND, THAT'S ALL. 564 00:37:05,223 --> 00:37:08,960 ONE FURTHER SOUND FROM ANY ONE OF YOU... 565 00:37:10,729 --> 00:37:12,831 AND... 566 00:37:12,831 --> 00:37:14,833 [CRYING SOFTLY] 567 00:37:25,043 --> 00:37:27,879 Eileen: AND TONIGHT I WANT YOU TO STUDY YOUR SPELLING 568 00:37:27,879 --> 00:37:31,082 BECAUSE YOU MISSED THAT WORD. SPELL "BLUE." 569 00:37:31,082 --> 00:37:32,918 B-L-U-E. 570 00:37:32,918 --> 00:37:35,854 ALL RIGHT, NOW YOU STUDY. HAVE A GOOD AFTERNOON. 571 00:37:35,854 --> 00:37:36,855 BYE. 572 00:37:42,260 --> 00:37:43,695 HELLO. 573 00:37:43,695 --> 00:37:46,398 HELLO. 574 00:37:47,666 --> 00:37:49,668 I HOPE YOU DON'T MIND, 575 00:37:49,668 --> 00:37:52,871 BUT I HAD TO SEE YOU AGAIN, MISS EVERSON. 576 00:37:52,871 --> 00:37:54,406 I DON'T MIND. 577 00:37:54,406 --> 00:37:57,376 I THOUGHT MAYBE A LITTLE DRIVE? 578 00:37:57,376 --> 00:38:00,278 I COULD TAKE YOU HOME. 579 00:38:00,278 --> 00:38:02,681 THAT WOULD BE VERY NICE. 580 00:38:02,681 --> 00:38:05,517 YOUR CARRIAGE AWAITS, MADAM. 581 00:38:10,689 --> 00:38:13,525 I HAVEN'T OFFENDED YOU, I HOPE. 582 00:38:17,696 --> 00:38:20,899 I'M NOT VERY AT EASE WITH PEOPLE. 583 00:38:20,899 --> 00:38:22,300 MEN, I MEAN. 584 00:38:22,300 --> 00:38:23,702 THAT'S ALL RIGHT, HONEY. 585 00:38:23,702 --> 00:38:26,905 I GOT ENOUGH MOXIE FOR BOTH OF US. 586 00:38:26,905 --> 00:38:28,507 WHOO-HOO! 587 00:38:32,711 --> 00:38:35,914 YOU WON'T TELL LIES, WILL YOU... 588 00:38:38,316 --> 00:38:39,918 ARTHUR? 589 00:38:39,918 --> 00:38:41,920 NOT IF I CAN HELP IT. 590 00:38:41,920 --> 00:38:43,389 [STARTS ENGINE] 591 00:38:43,389 --> 00:38:45,524 [CAR DRIVES AWAY] 592 00:38:48,727 --> 00:38:51,329 AND YOU'RE NOT MARRIED, ARE YOU? 593 00:38:51,329 --> 00:38:53,331 DO I LOOK LIKE A MARRIED MAN? 594 00:38:53,331 --> 00:38:55,934 I EVEN GOT A HOLE IN MY SOCK. 595 00:39:02,207 --> 00:39:05,010 SOMETIMES... 596 00:39:05,010 --> 00:39:06,612 WHAT'S THE MATTER? 597 00:39:06,612 --> 00:39:08,380 SOMETIMES I FEEL AS THOUGH 598 00:39:08,380 --> 00:39:10,382 I'M SUFFOCATING IN THIS HOUSE. 599 00:39:10,382 --> 00:39:13,385 I DON'T FEEL I CAN STICK IT OUT MUCH LONGER. 600 00:39:13,385 --> 00:39:15,787 I KNOW WHAT YOU MEAN. 601 00:39:15,787 --> 00:39:18,390 OH, THEY'RE GOOD, MY FAMILY, REALLY. 602 00:39:18,390 --> 00:39:20,992 THEY'RE GOOD. IT'S JUST THAT... 603 00:39:20,992 --> 00:39:22,794 SINCE MY MOTHER DIED, 604 00:39:22,794 --> 00:39:24,796 THINGS AREN'T THE SAME ANYMORE, 605 00:39:24,796 --> 00:39:27,032 AND WE'RE ALL VERY DIFFERENT 606 00:39:27,032 --> 00:39:28,734 FROM EACH OTHER. 607 00:39:31,470 --> 00:39:34,740 IT'S HARD TO BELIEVE THAT FELLA'S YOUR BROTHER. 608 00:39:34,740 --> 00:39:36,808 REALLY? IN WHAT WAY? 609 00:39:36,808 --> 00:39:40,412 WELL, THERE'S SOMETHING DELICATE ABOUT YOU, EILEEN. 610 00:39:40,412 --> 00:39:42,848 I MEAN, IT'S NOT... 611 00:39:42,848 --> 00:39:44,550 IT'S... 612 00:39:44,550 --> 00:39:46,818 I DON'T KNOW HOW TO SAY IT. 613 00:39:46,818 --> 00:39:48,854 IT'S SOMETHING HESITATING. 614 00:39:50,422 --> 00:39:52,424 NOT IN THAT WAY. 615 00:39:52,424 --> 00:39:54,826 IT'S MORE LIKE... I DON'T KNOW. 616 00:39:54,826 --> 00:39:57,429 IT'S NOT ANY ONE THING. 617 00:39:57,429 --> 00:39:59,831 IT'S EVERYTHING ALL TOGETHER... 618 00:39:59,831 --> 00:40:02,434 ESPECIALLY WHEN YOU LOOK SIDEWAYS. 619 00:40:02,434 --> 00:40:04,436 DO I LOOK SIDEWAYS? 620 00:40:04,436 --> 00:40:06,438 OH, NO. I MEAN, NOT EXACTLY SIDEWAYS. 621 00:40:06,438 --> 00:40:07,839 NO, I MEAN... 622 00:40:07,839 --> 00:40:10,442 YOU AIN'T GOT A SQUINT OR ANYTHING LIKE THAT. 623 00:40:10,442 --> 00:40:12,444 I MEAN, YOU DON'T SEE 2 OF ME, 624 00:40:12,444 --> 00:40:14,446 BUT I WOULDN'T MIND SEEING 2 OF YOU. 625 00:40:14,446 --> 00:40:16,047 MY WIFE SAYS-- 626 00:40:19,451 --> 00:40:21,052 ARTHUR. 627 00:40:22,454 --> 00:40:25,056 GOD REST HER SOUL. 628 00:40:27,459 --> 00:40:29,060 ARTHUR. 629 00:40:30,462 --> 00:40:33,064 THAT'S WHY I HATE MOTORCYCLES. 630 00:40:34,466 --> 00:40:36,868 YOU MEAN... 631 00:40:36,868 --> 00:40:40,472 OH, GOD. WHEN I THINK ABOUT IT... 632 00:40:40,472 --> 00:40:45,477 IT WAS 3 YEARS AGO LAST...TUESDAY. 633 00:40:45,477 --> 00:40:48,480 THE SENSELESS WASTE! 634 00:40:48,480 --> 00:40:50,882 HER BROKEN YOUNG BODY. 635 00:40:50,882 --> 00:40:53,485 ARTHUR. DON'T CRY, ARTHUR. 636 00:40:53,485 --> 00:40:55,487 DON'T. DON'T, ARTHUR. DON'T. 637 00:40:55,487 --> 00:40:59,491 SHE WAS LOOKING IN A BUTCHER SHOP'S WINDOW. 638 00:40:59,491 --> 00:41:03,495 SHE KNEW HOW I LIKED LAMB CHOPS, 639 00:41:03,495 --> 00:41:05,497 AND THEN... 640 00:41:05,497 --> 00:41:08,700 THIS MOTORCYCLE OUT OF CONTROL. 641 00:41:12,103 --> 00:41:13,505 ARTHUR. 642 00:41:13,505 --> 00:41:14,506 EILEEN. 643 00:41:14,506 --> 00:41:16,107 OH, EILEEN. 644 00:41:16,107 --> 00:41:17,075 NO, ARTHUR. 645 00:41:17,075 --> 00:41:19,911 OH, EILEEN, THIS IS THE FIRST TIME 646 00:41:19,911 --> 00:41:23,114 I'VE FELT ANYTHING SINCE THAT DAY. 647 00:41:23,114 --> 00:41:24,916 NO. I'M SCARED. 648 00:41:24,916 --> 00:41:27,519 I'VE NEVER-- ARTHUR, I NEVER-- 649 00:41:27,519 --> 00:41:29,120 UH! 650 00:41:29,120 --> 00:41:29,988 OH... 651 00:41:29,988 --> 00:41:32,423 OH, EILEEN, TAKE THE PAIN AWAY. 652 00:41:32,423 --> 00:41:34,526 OH, PLEASE. OH. 653 00:41:34,526 --> 00:41:37,529 TAKE THE PAIN AWAY, EILEEN, PLEASE. 654 00:41:37,529 --> 00:41:38,930 PLEASE. 655 00:41:38,930 --> 00:41:42,133 OH, I'LL TRY. I'LL TRY. 656 00:41:43,535 --> 00:41:45,537 I'LL TRY, ARTHUR. 657 00:41:45,537 --> 00:41:48,540 I'LL TRY. 658 00:41:48,540 --> 00:41:51,743 ARTHUR. OH... 659 00:41:55,547 --> 00:41:58,750 POOR ARTHUR. POOR ARTHUR. 660 00:42:13,298 --> 00:42:16,301 Joan: ARTHUR? 661 00:42:16,301 --> 00:42:17,969 NO. IT'S DRACULA. 662 00:42:17,969 --> 00:42:20,171 OH, THANK GOD YOU'VE COME BACK. 663 00:42:20,171 --> 00:42:21,973 YOU TRYING TO BE FUNNY? 664 00:42:21,973 --> 00:42:24,175 I THOUGHT YOU'D GONE FOREVER. 665 00:42:24,175 --> 00:42:25,977 I HAVE. I'VE GONE. 666 00:42:25,977 --> 00:42:28,980 WHAT DO I GET HERE IN THAT BED OF NAILS? 667 00:42:28,980 --> 00:42:31,583 I'LL TRY AGAIN, ARTHUR. I'LL TRY HARDER. 668 00:42:31,583 --> 00:42:33,585 I'VE EVEN...I'VE EVEN PUT LIPSTICK ON. 669 00:42:33,585 --> 00:42:34,986 WHAT DO YOU MEAN? 670 00:42:34,986 --> 00:42:37,589 YOU ALWAYS PUT LIPSTICK ON. 671 00:42:37,589 --> 00:42:39,825 NO, I MEAN, I... 672 00:42:39,825 --> 00:42:42,193 I PUT IT ON MY... 673 00:42:42,193 --> 00:42:44,930 WHAT? ON YOUR-- 674 00:42:48,533 --> 00:42:51,069 ON YOUR NIPPLE, JOANIE? 675 00:42:52,570 --> 00:42:53,972 HAVE YOU? 676 00:42:57,275 --> 00:43:00,612 YOU SAID YOU WANTED ME TO. 677 00:43:03,081 --> 00:43:06,084 HOW'D YOU KNOW I WAS COMING BACK TONIGHT? 678 00:43:06,084 --> 00:43:09,688 I'VE BEEN PUTTING IN ON EVERY NIGHT, ARTHUR, 679 00:43:09,688 --> 00:43:13,291 HOPING, PRAYING THAT YOU'D COME BACK TO ME. 680 00:43:13,291 --> 00:43:15,761 LET ME SEE. 681 00:43:17,696 --> 00:43:19,898 SHOW ME, ANGEL. 682 00:43:36,181 --> 00:43:38,116 OH, I SEE. STILL THE SAME AFTER ALL. 683 00:43:38,116 --> 00:43:41,987 NO, ARTHUR. NO, NOT THE SAME. 684 00:43:41,987 --> 00:43:43,388 BUT... 685 00:43:44,990 --> 00:43:46,191 I'M SHY. 686 00:43:46,191 --> 00:43:49,094 JESUS CHRIST. I'M YOUR HUSBAND, JOAN. 687 00:44:16,922 --> 00:44:19,157 YOU WAS LISTENING... 688 00:44:19,157 --> 00:44:20,926 ALL THE TIME. 689 00:44:23,061 --> 00:44:25,563 OH...WELL, JEEPERS, JOANIE. 690 00:44:25,563 --> 00:44:29,167 WHAT LOVELY... LOVELY LITTLE ROSEBUDS. 691 00:44:36,775 --> 00:44:38,309 ARE THEY... 692 00:44:39,811 --> 00:44:41,847 ARE THEY AS NICE AS HERS? 693 00:44:41,847 --> 00:44:43,949 WHAT DO YOU MEAN? 694 00:44:43,949 --> 00:44:48,553 IT'S JUST SOMETHING... I FELT IT, ARTHUR. 695 00:44:48,553 --> 00:44:51,289 WELL, YOU'RE WRONG. 696 00:44:51,289 --> 00:44:52,290 ARTHUR. 697 00:44:52,290 --> 00:44:53,725 WRONG. WRONG. 698 00:44:53,725 --> 00:44:57,729 MAY ALMIGHTY GOD STRIKE ME DEAD ON THIS SPOT. 699 00:44:57,729 --> 00:45:00,365 BUT YOU HAVE WANTED TO? 700 00:45:06,137 --> 00:45:10,942 WANTING TO IS NOT THE SAME AS DOING IT. 701 00:45:17,148 --> 00:45:20,051 TELL ME WHY YOU WANT TO, ARTHUR. 702 00:45:21,753 --> 00:45:25,156 YOU KNOW, I HEARD A TRUE STORY THE OTHER DAY. 703 00:45:25,156 --> 00:45:28,159 IN A BAND, A DANCE BAND THEY WERE, 704 00:45:28,159 --> 00:45:30,595 THIS MAN AND THIS WOMAN SINGER, THEY-- 705 00:45:30,595 --> 00:45:31,763 ARTHUR. 706 00:45:31,763 --> 00:45:34,499 WELL, THEY GAVE THE ELEVATOR OPERATOR 707 00:45:34,499 --> 00:45:39,938 A $20 BILL TO STOP THE ELEVATOR BETWEEN FLOORS 708 00:45:39,938 --> 00:45:41,539 AND TURN HIS BACK. 709 00:45:41,539 --> 00:45:42,740 WHY? 710 00:45:42,740 --> 00:45:45,777 SO THEY COULD MAKE LOVE IN THE ELEVATOR. 711 00:45:45,777 --> 00:45:50,481 WELL, THEN THEY'RE ANIMALS, ARTHUR, 712 00:45:50,481 --> 00:45:52,517 AND YOU KNOW THEY ARE. 713 00:45:53,919 --> 00:45:56,121 ARE THEY, JOAN? 714 00:45:58,123 --> 00:45:59,925 ARE THEY? 715 00:45:59,925 --> 00:46:02,127 IT'S DISGUSTING. 716 00:46:06,531 --> 00:46:08,399 I WISH... 717 00:46:09,801 --> 00:46:11,502 YOU WISH WHAT, ARTHUR? 718 00:46:11,502 --> 00:46:15,140 [MUSIC PLAYING ON RADIO] 719 00:46:15,140 --> 00:46:18,376 Rudy Vallee: * NO MORE COMPANY TO FEED * 720 00:46:18,376 --> 00:46:19,811 I WISH... 721 00:46:19,811 --> 00:46:23,081 * NO MORE PAPERS LEFT TO READ * 722 00:46:23,081 --> 00:46:25,316 * SO, WHAT'S TO DO ABOUT? * 723 00:46:25,316 --> 00:46:28,353 * LET'S PUT OUT THE LIGHTS AND GO TO BED * 724 00:46:28,353 --> 00:46:31,522 Arthur: I WISH I COULD PLAY THE SAXOPHONE. 725 00:46:31,522 --> 00:46:33,058 WHAT, ARTHUR? 726 00:46:33,058 --> 00:46:34,059 SHH. 727 00:46:34,059 --> 00:46:37,829 * LEAVE THOSE DISHES IN THE SINK * 728 00:46:37,829 --> 00:46:40,798 * WHAT'S TO DO ABOUT IT? * 729 00:46:40,798 --> 00:46:42,733 WHAT ARE YOU DOING, ARTHUR? 730 00:46:42,733 --> 00:46:44,569 [MUSIC STOPS] 731 00:46:45,971 --> 00:46:48,173 I WAS PRETENDING. 732 00:46:51,176 --> 00:46:53,211 BUT WHAT? 733 00:46:53,211 --> 00:46:55,981 AND WHY? 734 00:46:55,981 --> 00:46:59,918 THAT I GOT MY OWN DANCE BAND. 735 00:47:02,587 --> 00:47:05,523 GO AND WASH IT OFF, WILL YOU? 736 00:47:05,523 --> 00:47:06,557 WHAT? 737 00:47:06,557 --> 00:47:09,227 THE LIPSTICK. 738 00:47:11,596 --> 00:47:14,165 NO, I WON'T WASH IT OFF. 739 00:47:23,041 --> 00:47:26,577 [ARTHUR SINGING HAPPILY] 740 00:47:26,577 --> 00:47:30,015 SEE, JOAN? A LITTLE CAPITAL AND A LITTLE AFFECTION-- 741 00:47:30,015 --> 00:47:32,617 THAT'S ALL A GUY NEEDS. THAT'S ALL AMERICA NEEDS-- 742 00:47:32,617 --> 00:47:35,786 SOME CAPITAL AND SOME CARING. 743 00:47:35,786 --> 00:47:37,889 MY OWN STORE SELLING RECORDS. 744 00:47:37,889 --> 00:47:39,790 THAT'S WHERE THE MONEY IS TODAY. 745 00:47:39,790 --> 00:47:41,993 BUT IT'LL BE RISKY, ARTHUR. 746 00:47:41,993 --> 00:47:43,428 WOULDN'T IT MAKE MORE SENSE-- 747 00:47:43,428 --> 00:47:45,863 YOU WON'T LET ME DOWN, WILL YOU? 748 00:47:45,863 --> 00:47:47,498 YOU SAID. YOU PROMISED. 749 00:47:47,498 --> 00:47:48,900 OH, NO. I'VE AGREED. 750 00:47:48,900 --> 00:47:50,301 YOU CAN USE DADDY'S MONEY. 751 00:47:50,301 --> 00:47:52,303 IT'S AMAZING WHAT A BIT OF LIPSTICK 752 00:47:52,303 --> 00:47:54,439 WILL DO IN THE RIGHT PLACE, EH, JOANIE? 753 00:47:54,439 --> 00:47:56,241 YES. 754 00:47:56,241 --> 00:47:58,876 YOU WON'T REGRET IT, HONEY. 755 00:47:58,876 --> 00:48:00,645 I WON'T WALK OUT ON YOU AGAIN, HONEST. 756 00:48:00,645 --> 00:48:02,047 I LOVE YOU, JOAN. 757 00:48:02,047 --> 00:48:04,482 I REALLY DO LOVE YOU, DOLL. 758 00:48:04,482 --> 00:48:06,952 [SINGING SOFTLY] 759 00:48:09,187 --> 00:48:11,456 Dolly Dawn: * BE SURE IT'S TRUE * 760 00:48:11,456 --> 00:48:16,928 * WHEN YOU SAY, "I LOVE YOU" * 761 00:48:16,928 --> 00:48:19,064 * IT'S A SIN * 762 00:48:19,064 --> 00:48:24,335 * TO TELL A LIE * 763 00:48:24,335 --> 00:48:27,638 * MILLIONS OF HEARTS * 764 00:48:27,638 --> 00:48:31,509 * HAVE BEEN BROKEN * 765 00:48:31,509 --> 00:48:38,149 * JUST BECAUSE THESE WORDS WERE SPOKEN * 766 00:48:38,149 --> 00:48:42,487 * I LOVE YOU, YES, I DO * 767 00:48:42,487 --> 00:48:45,423 * I LOVE YOU * 768 00:48:45,423 --> 00:48:49,494 * IF YOU BREAK MY HEART * 769 00:48:49,494 --> 00:48:52,297 * I'LL DIE * 770 00:48:52,297 --> 00:48:56,067 * SO BE SURE IT'S TRUE * 771 00:48:56,067 --> 00:48:59,437 * WHEN YOU SAY, "I LOVE YOU" * 772 00:48:59,437 --> 00:49:01,072 WHAT DID YOU SAY? 773 00:49:03,908 --> 00:49:06,011 NOTHING, ARTHUR. 774 00:49:10,915 --> 00:49:12,917 [SCHOOL BELL RINGS] 775 00:49:12,917 --> 00:49:15,120 [CHILDREN TALKING] 776 00:49:17,688 --> 00:49:19,524 HAPPY THANKSGIVING. 777 00:49:19,524 --> 00:49:21,226 HAPPY THANKSGIVING. 778 00:49:21,226 --> 00:49:23,528 BYE, MISS EVERSON. I'LL SEE YOU ON MONDAY. 779 00:49:23,528 --> 00:49:24,929 STEADY THERE. 780 00:49:24,929 --> 00:49:26,331 SORRY, SIR. I-- 781 00:49:26,331 --> 00:49:28,933 LOOK WHERE YOU'RE GOING, BOY. 782 00:49:28,933 --> 00:49:30,935 Boy: SIR. 783 00:49:30,935 --> 00:49:32,637 [DOOR CLOSES] 784 00:49:36,941 --> 00:49:38,943 THAT ONE. 785 00:49:38,943 --> 00:49:42,147 I HAVEN'T LOOKED AT IT... 786 00:49:42,147 --> 00:49:44,149 I MEAN, LOOKED AT IT 787 00:49:44,149 --> 00:49:45,950 FOR ALMOST 30 YEARS, 788 00:49:45,950 --> 00:49:48,553 WHEN I TAUGHT THIS CLASS. 789 00:49:48,553 --> 00:49:54,959 JANUARY, SNOWING; FEBRUARY, RAIN; 790 00:49:54,959 --> 00:49:58,963 MARCH, WITH WINDS A-BLOWING; 791 00:49:58,963 --> 00:50:01,566 APRIL, SUN AGAIN... 792 00:50:03,968 --> 00:50:07,372 MAY, A WORLD OF FLOWERS; 793 00:50:07,372 --> 00:50:10,208 JUNE, WITH DANCING LEAVES; 794 00:50:10,208 --> 00:50:12,777 JULY, LONG, LAZY HOURS-- 795 00:50:12,777 --> 00:50:17,582 DR. BARTHOLOMEN IS ON THE SCHOOL BOARD, ISN'T HE? 796 00:50:21,786 --> 00:50:26,191 HE'S TOLD YOU ABOUT MY CONDITION, HASN'T HE? 797 00:50:28,393 --> 00:50:30,395 HE ASKED ME TO CONTEMPLATE 798 00:50:30,395 --> 00:50:33,998 THE PICTURE OF MISS EVERSON THE TEACHER 799 00:50:33,998 --> 00:50:37,202 AND HER ILLEGITIMATE BABY. 800 00:50:38,603 --> 00:50:40,105 HE HAS? 801 00:50:48,413 --> 00:50:53,017 I AM NOT, I HOPE, A BLASPHEMOUS MAN, EILEEN, 802 00:50:53,017 --> 00:50:56,020 BUT I OFTEN THINK THE PICTURE OF EVE 803 00:50:56,020 --> 00:50:58,022 WE ARE GIVEN IN GENESIS 804 00:50:58,022 --> 00:50:59,924 IS NOT ALTOGETHER A FAIR ONE. 805 00:50:59,924 --> 00:51:02,760 INDEED, WHEN I LOOK ABOUT... 806 00:51:05,763 --> 00:51:08,566 AND EVEN INTO MY OWN HEART, 807 00:51:08,566 --> 00:51:11,569 I THINK IT IS MUCH, MUCH MORE LIKELY 808 00:51:11,569 --> 00:51:15,773 IT WAS ADAM WHO OFFERED THE FRUIT TO EVE. 809 00:51:15,773 --> 00:51:17,375 YES. 810 00:51:32,590 --> 00:51:35,193 PLEASE, DO YOU THINK I COULD STAY 811 00:51:35,193 --> 00:51:37,795 UNTIL THE END OF THE MONTH? 812 00:51:58,216 --> 00:52:00,218 PLEASE DON'T BE OFFENDED. 813 00:52:00,218 --> 00:52:02,220 NO, DON'T DO THAT. 814 00:52:02,220 --> 00:52:04,222 IT'S A VERY HARD WORLD OUT THERE. 815 00:52:04,222 --> 00:52:06,624 YOU'LL NEED MORE THAN YOU THINK. 816 00:52:06,624 --> 00:52:09,827 NOW, PLEASE, PLEASE, BE SENSIBLE. 817 00:52:09,827 --> 00:52:11,829 TAKE IT. 818 00:52:14,699 --> 00:52:16,301 MR. WARNER. 819 00:52:18,569 --> 00:52:21,872 I'LL ALWAYS REMEMBER THIS. 820 00:52:21,872 --> 00:52:26,344 GOOD AFTERNOON, MY DEAR. 821 00:52:28,112 --> 00:52:30,848 [DOOR CLOSES] 822 00:52:30,848 --> 00:52:32,850 OH, ARTHUR. 823 00:52:32,850 --> 00:52:34,852 WHERE ARE YOU? 824 00:52:36,153 --> 00:52:38,456 [JACKHAMMER] 825 00:52:42,860 --> 00:52:44,862 [HORN HONKS] 826 00:52:51,836 --> 00:52:55,806 COME ON, COME ON. WHERE ARE THEY ALL? 827 00:53:05,015 --> 00:53:10,221 Phyllis Robbins: * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 828 00:53:10,221 --> 00:53:15,460 * HOW'S ABOUT A CHEAP ROMANCE OR 2? * 829 00:53:15,460 --> 00:53:17,895 * A KISS WILL PEP YOU UP * 830 00:53:17,895 --> 00:53:20,498 * A LITTLE HUG WILL STEP YOU UP * 831 00:53:20,498 --> 00:53:22,500 * IF DREAMS HAVE KEPT YOU UP * 832 00:53:22,500 --> 00:53:25,436 * YOU DON'T NEED PILLS, YOU NEED THRILLS * 833 00:53:25,436 --> 00:53:30,508 * LOVE'S A PRECIOUS THING THAT NEVER FAILS YOU * 834 00:53:30,508 --> 00:53:34,845 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 835 00:53:41,852 --> 00:53:43,688 WHAT AM I DOING? 836 00:53:46,257 --> 00:53:48,859 WHAT AM I DOING? 837 00:54:30,301 --> 00:54:32,503 Arthur: GOOD AFTERNOON, MISS. 838 00:54:33,771 --> 00:54:35,272 WHO'S THERE? 839 00:54:35,272 --> 00:54:37,975 NO, YOU DON'T KNOW ME. I-- 840 00:54:39,977 --> 00:54:42,380 IS ANYTHING THE MATTER? 841 00:54:42,380 --> 00:54:47,151 NOTHING'S THE MATTER. WHAT DO YOU WANT? 842 00:54:47,151 --> 00:54:49,153 MY CAR'S JUST DOWN THE ROAD THERE. 843 00:54:49,153 --> 00:54:50,154 SEE IT? 844 00:54:50,154 --> 00:54:52,590 I JUST STOPPED FOR A REST. 845 00:54:55,393 --> 00:54:56,927 YOU CAN'T SEE, 846 00:54:56,927 --> 00:54:57,995 CAN YOU? 847 00:54:57,995 --> 00:55:00,365 NOT REALLY. 848 00:55:00,365 --> 00:55:01,999 NO. 849 00:55:10,007 --> 00:55:12,009 ISN'T IT DANGEROUS... 850 00:55:14,011 --> 00:55:16,013 WALKING LIKE THIS? 851 00:55:17,415 --> 00:55:19,016 I MEAN, THIS GROUND IS-- 852 00:55:19,016 --> 00:55:21,018 NO. I COME HERE EVERY DAY. 853 00:55:21,018 --> 00:55:23,020 I KNOW MY WAY. 854 00:55:24,589 --> 00:55:27,425 OH, YOU LIVE NEAR, DO YOU, MISS? 855 00:55:27,425 --> 00:55:30,828 THE HOUSE OVER THERE BEHIND THE BRIDGE. 856 00:55:30,828 --> 00:55:34,031 DO YOU NEED SOMEONE TO WALK WITH YOU, MISS? 857 00:55:34,031 --> 00:55:35,433 THAT'S VERY KIND-- 858 00:55:35,433 --> 00:55:36,834 IT'S NO BOTHER. 859 00:55:36,834 --> 00:55:38,836 I'M DRIVING FROM CHICAGO TO GALENA, 860 00:55:38,836 --> 00:55:42,039 AND I COULD DO WITH A STRETCH OF THE LEGS. 861 00:55:42,039 --> 00:55:44,041 IT WOULD BE A PRIVILEGE. 862 00:55:46,043 --> 00:55:50,047 NO, THANK YOU. GOOD-BYE. 863 00:56:05,062 --> 00:56:07,364 I'LL NEVER FORGET THIS. 864 00:56:07,364 --> 00:56:09,667 NOT EVER. 865 00:56:11,436 --> 00:56:13,604 I THINK YOU'RE THE MOST BEAUTIFUL YOUNG LADY 866 00:56:13,604 --> 00:56:15,105 I'VE EVER SEEN. 867 00:56:16,874 --> 00:56:20,077 PLEASE EXCUSE ME SAYING THAT. 868 00:56:20,077 --> 00:56:22,079 I COULDN'T HELP IT. 869 00:56:26,484 --> 00:56:29,687 TAKE CARE. 870 00:56:31,088 --> 00:56:33,658 TAKE GOOD CARE OF YOURSELF. 871 00:56:38,395 --> 00:56:39,797 Arthur: WELL, I HAVEN'T BEEN ABLE 872 00:56:39,797 --> 00:56:42,567 TO GET DOWN THIS WAY. BUSINESS, YOU KNOW. 873 00:56:42,567 --> 00:56:44,368 WHY NOT, ARTHUR? 874 00:56:44,368 --> 00:56:47,371 DON'T LET'S TALK LIKE THIS, EILEEN. 875 00:56:47,371 --> 00:56:49,774 WHAT WAY SHALL WE TALK, THEN, ARTHUR? 876 00:56:49,774 --> 00:56:52,376 I DON'T WANT TO TALK AT ALL. 877 00:56:52,376 --> 00:56:54,979 WHAT DO YOU WANT TO DO, ARTHUR? 878 00:56:54,979 --> 00:56:56,581 KISS YOU. 879 00:56:58,849 --> 00:57:00,384 IS THAT ALL? 880 00:57:00,384 --> 00:57:02,787 TO TELL YOU THE TRUTH, I HAVEN'T STOPPED-- 881 00:57:02,787 --> 00:57:04,789 YES, THE TRUTH, THE TRUTH. 882 00:57:04,789 --> 00:57:07,391 PLEASE TELL ME THE TRUTH. 883 00:57:07,391 --> 00:57:09,393 ARE YOU MARRIED, ARTHUR? 884 00:57:09,393 --> 00:57:14,532 WHAT DO YOU WANT TO GO AND ASK ME THAT FOR? 885 00:57:20,838 --> 00:57:23,841 DO YOU THINK YOU COULD MAKE US A CUP OF-- 886 00:57:23,841 --> 00:57:27,845 OH, DON'T YOU DO THAT, OR YOU'LL SET ME OFF. 887 00:57:27,845 --> 00:57:31,716 WHAT HAVE YOU GOT TO CRY ABOUT, ARTHUR? 888 00:57:34,118 --> 00:57:35,753 I DON'T KNOW, 889 00:57:35,753 --> 00:57:38,122 BUT IT FEELS LIKE EVERYTHING. 890 00:57:38,122 --> 00:57:40,658 I'M GOING TO HAVE A BABY. 891 00:57:44,529 --> 00:57:45,930 HOW DO YOU KNOW? 892 00:57:45,930 --> 00:57:49,534 I MEAN, IS THAT DEFINITE? 893 00:57:49,534 --> 00:57:51,636 QUITE DEFINITE. 894 00:57:55,272 --> 00:57:56,974 WHAT ARE YOU GOING TO DO? 895 00:57:56,974 --> 00:58:01,145 THERE'S NOTHING VERY MUCH I CAN DO. 896 00:58:01,145 --> 00:58:02,980 WHAT ARE YOU GOING TO DO? 897 00:58:02,980 --> 00:58:04,181 ME? 898 00:58:05,983 --> 00:58:08,786 WHAT THE HELL AM I GOING TO DO? 899 00:58:08,786 --> 00:58:11,556 YOU CAN WRITE DOWN YOUR ADDRESS. 900 00:58:11,556 --> 00:58:13,323 WHAT? 901 00:58:13,323 --> 00:58:16,594 DON'T WORRY. I WON'T MESS YOU UP. 902 00:58:20,364 --> 00:58:21,766 I'VE LOST MY JOB, 903 00:58:21,766 --> 00:58:23,400 AND I'VE GOT TO LEAVE HOME. 904 00:58:23,400 --> 00:58:24,935 OH, GOD. 905 00:58:24,935 --> 00:58:26,571 OH, CHRIST. 906 00:58:26,571 --> 00:58:29,540 AND IF I REALLY DO NEED HELP... 907 00:58:30,641 --> 00:58:34,211 ARTHUR, WON'T YOU? 908 00:58:55,633 --> 00:58:58,836 I'LL DO WHAT I CAN, EILEEN. 909 00:59:01,639 --> 00:59:04,241 I BELIEVED YOU, ARTHUR. 910 00:59:04,241 --> 00:59:05,643 SILLY ME. 911 00:59:05,643 --> 00:59:07,645 I BELIEVED MYSELF. 912 00:59:07,645 --> 00:59:10,848 YES, I KNOW YOU DID. 913 00:59:12,249 --> 00:59:14,251 YOU MEAN, YOU UNDERSTAND? 914 00:59:15,653 --> 00:59:18,856 MY GOD, I THINK YOU REALLY DO. 915 00:59:20,658 --> 00:59:22,993 I WANTED YOU, YOU SEE. 916 00:59:22,993 --> 00:59:24,361 DID YOU? 917 00:59:24,361 --> 00:59:26,263 OH, YES. 918 00:59:28,265 --> 00:59:31,268 YOU STILL DO, DON'T YOU? 919 00:59:31,268 --> 00:59:33,270 YOU STILL DO. 920 00:59:33,270 --> 00:59:34,672 I STILL DO. 921 00:59:34,672 --> 00:59:36,674 I NEVER IN ALL MY LIFE. 922 00:59:36,674 --> 00:59:38,709 I'VE NEVER HEARD A WOMAN TALK LIKE THAT, 923 00:59:38,709 --> 00:59:40,344 JUST LIKE THAT. 924 00:59:40,344 --> 00:59:42,246 IT'S NOT DECENT, IS IT? 925 00:59:42,246 --> 00:59:46,283 IT'S...IT'S MARVELOUS. 926 00:59:46,283 --> 00:59:48,085 BUT... 927 00:59:48,085 --> 00:59:51,288 BUT WHAT? BUT WHAT, EILEEN? 928 00:59:53,824 --> 00:59:55,559 BUT YOU WENT AWAY. 929 00:59:55,559 --> 00:59:57,294 YEAH. 930 00:59:57,294 --> 00:59:59,697 SO... 931 01:00:02,099 --> 01:00:05,302 THAT'S THAT, THEN, ISN'T IT? 932 01:00:12,710 --> 01:00:16,313 SAY WE WAS MARRIED, ME AND YOU. 933 01:00:16,313 --> 01:00:18,115 IF PIGS HAD WINGS. 934 01:00:18,115 --> 01:00:20,918 NO, NO, NO, JUST SAY WE WAS. 935 01:00:22,586 --> 01:00:23,688 WELL? 936 01:00:23,688 --> 01:00:27,658 THERE'S A STORY. MIND IF I SMOKE? 937 01:00:27,658 --> 01:00:30,027 NO. 938 01:00:30,027 --> 01:00:31,461 WANT ONE? 939 01:00:31,461 --> 01:00:33,130 NO. 940 01:00:33,130 --> 01:00:37,234 IN A BAND, THIS MAN AND THIS WOMAN SINGER, THEY-- 941 01:00:37,234 --> 01:00:40,004 ARTHUR, WHAT HAS THIS GOT TO DO WITH BEING MARRIED? 942 01:00:40,004 --> 01:00:42,673 JUST A MINUTE, A MINUTE. 943 01:00:42,673 --> 01:00:46,076 AT THE HOTEL WHERE THEY WERE PLAYING, SEE, 944 01:00:46,076 --> 01:00:49,646 THEY GAVE THE ELEVATOR OPERATOR A $20 BILL 945 01:00:49,646 --> 01:00:53,250 TO STOP THE ELEVATOR BETWEEN FLOORS... 946 01:00:54,651 --> 01:00:56,320 AND TURN HIS BACK. 947 01:00:58,055 --> 01:01:00,357 DO PEOPLE DO THINGS LIKE THAT? 948 01:01:00,357 --> 01:01:03,493 LIKE WHAT, EILEEN? 949 01:01:03,493 --> 01:01:07,031 WELL...MAKE LOVE IN AN ELEVATOR. 950 01:01:07,031 --> 01:01:10,300 OH, YOU MEAN, LIKE KISSING, DO YOU? 951 01:01:10,300 --> 01:01:12,302 OH, IS THAT ALL? 952 01:01:12,302 --> 01:01:15,105 OH, EILEEN! EILEEN! THAT'S A GOOD GIRL! 953 01:01:15,105 --> 01:01:18,108 YOU KNEW WHAT I WAS TALKING ABOUT. 954 01:01:18,108 --> 01:01:20,711 WOULD YOU EVER DO THAT? 955 01:01:20,711 --> 01:01:23,047 WHAT THEY DID? 956 01:01:25,115 --> 01:01:27,718 BETWEEN WHICH FLOORS, ARTHUR? 957 01:01:27,718 --> 01:01:30,120 [MUSIC PLAYING] 958 01:01:30,120 --> 01:01:31,588 Helen Kane: * IF IT'S NAUGHTY * 959 01:01:31,588 --> 01:01:33,123 * TO ROUGE YOUR LIPS * 960 01:01:33,123 --> 01:01:36,293 * SHAKE YOUR SHOULDERS AND SHAKE YOUR HIPS * 961 01:01:36,293 --> 01:01:40,597 * LET A LADY CONFESS, I WANT TO BE BAD * 962 01:01:40,597 --> 01:01:42,266 * BOOP BOOP BE DOOP * 963 01:01:42,266 --> 01:01:45,269 * AND IF IT'S NAUGHTY TO DANCE FOR MEN * 964 01:01:45,269 --> 01:01:48,338 * SLEEP EACH MORNING TILL AFTER TEN * 965 01:01:48,338 --> 01:01:52,877 * THEN THE ANSWER IS YES, I WANT TO BE BAD * 966 01:01:52,877 --> 01:01:56,380 * THIS THING OF BEING A GOOD LITTLE GOODIE * 967 01:01:56,380 --> 01:02:00,050 * IS ALL VERY WELL * 968 01:02:00,050 --> 01:02:02,286 * WHAT CAN YOU DO WHEN YOU'RE LOADED * 969 01:02:02,286 --> 01:02:06,356 * WITH PLENTY OF HE-E-EALTH AND VIGOR? * 970 01:02:06,356 --> 01:02:09,760 * WHEN YOU'RE LEARNING WHAT LIPS ARE FOR * 971 01:02:09,760 --> 01:02:12,429 * AND IT'S NAUGHTY TO ASK FOR MORE * 972 01:02:12,429 --> 01:02:18,202 * LET A LADY CONFESS, I WANT TO BE BAD * 973 01:02:18,202 --> 01:02:21,371 [ELEVATOR BELL DINGS MELODICALLY] 974 01:03:00,210 --> 01:03:03,347 * LET A LADY CONFESS, I WANT TO BE BAD * 975 01:03:03,347 --> 01:03:06,550 * LA DA DA DA DA DA DA, BAD * 976 01:03:36,446 --> 01:03:40,450 W-W-WHAT ARE YOU DOING? 977 01:03:40,450 --> 01:03:42,052 WHO'S THERE? 978 01:03:54,464 --> 01:03:58,468 IT'S ONLY ME...LADY. 979 01:04:02,472 --> 01:04:04,474 ARE YOU HUNGRY? 980 01:04:05,876 --> 01:04:11,882 DO YOU WANT SOME F-FOOD? HERE. 981 01:04:11,882 --> 01:04:13,884 YOU CAN HAVE IT. 982 01:04:13,884 --> 01:04:15,285 LEAVE ME ALONE. 983 01:04:15,285 --> 01:04:17,021 HERE. YOU CAN-- YOU CAN... 984 01:04:17,021 --> 01:04:18,622 I WAS--I WAS-- 985 01:04:18,622 --> 01:04:20,224 LEAVE ME ALONE! 986 01:04:43,880 --> 01:04:46,183 HAS ANYBODY NOTIFIED THE RELATIVES? 987 01:04:46,183 --> 01:04:47,918 SHOULD WE GET THE AMBULANCE, LIEUTENANT? 988 01:04:47,918 --> 01:04:49,453 NO COMMENT, BOYS. NO COMMENT. 989 01:04:49,453 --> 01:04:51,956 WE GOT TO GO TO PRESS IN HALF AN HOUR. 990 01:04:51,956 --> 01:04:53,357 IS THERE A SUSPECT, SIR? 991 01:04:53,357 --> 01:04:54,959 WHAT WAS HER NAME, LIEUTENANT? 992 01:04:54,959 --> 01:04:56,927 YOU SAY NOBODY SAW THE CRIME? 993 01:04:56,927 --> 01:04:58,195 WHAT WAS THE CAUSE OF DEATH? 994 01:04:58,195 --> 01:04:59,829 COME ON, LIEUTENANT, GIVE US AN ANSWER. 995 01:04:59,829 --> 01:05:02,099 OVER HERE WITH THE CAMERAS, BOYS. 996 01:05:02,099 --> 01:05:05,035 [CONVERSATION CONTINUES] 997 01:05:05,035 --> 01:05:09,306 ILLINOIS 937568. 998 01:05:09,306 --> 01:05:11,408 [SIREN] 999 01:05:11,408 --> 01:05:16,480 937568. 1000 01:05:32,696 --> 01:05:34,231 HEY, LIEUTENANT. 1001 01:05:34,231 --> 01:05:38,368 Elsie Carlisle: * SOMEWHERE THE SUN IS SHINING * 1002 01:05:38,368 --> 01:05:42,472 * SO, HONEY, DON'T YOU CRY * 1003 01:05:42,472 --> 01:05:46,843 * WE'LL FIND OUR SILVER LINING * 1004 01:05:46,843 --> 01:05:50,847 * THE CLOUDS WILL SOON ROLL BY * 1005 01:05:50,847 --> 01:05:52,482 * I HEAR A ROBIN... * 1006 01:05:52,482 --> 01:05:54,684 AAH! 1007 01:05:54,684 --> 01:05:58,122 * UPON A TREETOP HIGH * 1008 01:05:59,689 --> 01:06:01,625 JESUS CHRIST! 1009 01:06:01,625 --> 01:06:03,193 [STARTS ENGINE] 1010 01:06:03,193 --> 01:06:07,031 * THE CLOUDS WILL SOON ROLL BY * 1011 01:06:07,031 --> 01:06:10,167 * EACH LITTLE TEAR AND SORROW * 1012 01:06:10,167 --> 01:06:15,172 * ONLY BRINGS YOU CLOSER TO ME * 1013 01:06:15,172 --> 01:06:16,573 * JUST WAIT UNTIL TOMORROW... * 1014 01:06:16,573 --> 01:06:19,643 ARTHUR, WHAT IS IT? WHAT'S HAPPENED? 1015 01:06:19,643 --> 01:06:21,178 I'VE SEEN A MESSAGE. 1016 01:06:21,178 --> 01:06:23,047 WHAT ARE YOU TALKING ABOUT? 1017 01:06:23,047 --> 01:06:24,914 WHERE HAVE YOU BEEN? 1018 01:06:24,914 --> 01:06:27,317 I GOT TO CHANGE. 1019 01:06:27,317 --> 01:06:29,919 I GOT TO BE GOOD. 1020 01:06:29,919 --> 01:06:31,255 ARTHUR. 1021 01:06:32,456 --> 01:06:34,924 PUT YOUR ARMS AROUND ME, JOAN. 1022 01:06:34,924 --> 01:06:36,926 OH, GOD, PLEASE PUT YOUR ARMS AROUND ME. 1023 01:06:36,926 --> 01:06:40,530 * THE CLOUDS WILL SOON ROLL BY * 1024 01:07:28,645 --> 01:07:31,581 EXCUSE ME. 1025 01:07:31,581 --> 01:07:33,117 YES? 1026 01:07:34,384 --> 01:07:38,388 HOW MUCH IS A GLASS OF LEMONADE? 1027 01:07:38,388 --> 01:07:41,057 IT'S BEEN SO LONG SINCE I SOLD ONE, 1028 01:07:41,057 --> 01:07:42,058 I DON'T KNOW, UH... 1029 01:07:42,058 --> 01:07:44,394 FOR YOU, 2 CENTS. 1030 01:07:44,394 --> 01:07:47,997 YES. I'LL HAVE A GLASS OF LEMONADE... 1031 01:07:47,997 --> 01:07:49,599 PLEASE. 1032 01:07:49,599 --> 01:07:51,401 YOU SURE YOU CAME 1033 01:07:51,401 --> 01:07:53,437 TO THE RIGHT PLACE, SWEETIE? 1034 01:07:53,437 --> 01:07:56,039 HAVE A DROP OF GIN IN THAT, HONEY. 1035 01:07:56,039 --> 01:07:57,174 PARDON? 1036 01:07:57,174 --> 01:07:59,042 THAT'S A VERY NICE DRINK FOR A LADY-- 1037 01:07:59,042 --> 01:08:00,444 GIN AND LEMONADE. 1038 01:08:00,444 --> 01:08:02,045 LEAVE HER ALONE, TOM. 1039 01:08:02,045 --> 01:08:04,448 I'M ONLY OFFERING TO PAY FOR IT, AIN'T I? 1040 01:08:04,448 --> 01:08:07,651 THE ONE'S ON THE HOUSE, HONEY. 1041 01:08:07,651 --> 01:08:09,052 JUST DRINK IT DOWN 1042 01:08:09,052 --> 01:08:12,256 AND GO HOME LIKE A GOOD LITTLE GIRL. 1043 01:08:20,464 --> 01:08:22,466 UH! IT TASTES LIKE POISON. 1044 01:08:22,466 --> 01:08:24,434 THEN DON'T HAVE ANOTHER. 1045 01:08:24,434 --> 01:08:26,436 SOME GIRLS IT DOESN'T SUIT. 1046 01:08:26,436 --> 01:08:29,739 NEVER KNOW WHAT YOU LIKE TILL YOU TRY IT. 1047 01:08:32,676 --> 01:08:34,278 THAT'S TRUE. 1048 01:08:37,046 --> 01:08:39,349 [CLINKS GLASSES] 1049 01:08:42,252 --> 01:08:44,321 WHAT DO YOU WANT TO DO TO ME? 1050 01:08:44,321 --> 01:08:46,523 YOU MUST BE KIDDING. 1051 01:08:46,523 --> 01:08:48,392 THEN CAN YOU LEND ME $5.00? 1052 01:08:48,392 --> 01:08:50,059 LEND YOU? YOU ARE KIDDING. 1053 01:08:50,059 --> 01:08:52,596 NO. I'LL GIVE IT TO YOU BACK. 1054 01:08:55,899 --> 01:08:57,501 WE'LL THINK ABOUT IT. 1055 01:08:59,203 --> 01:09:01,738 THERE'S NO HURRY, RIGHT? 1056 01:09:06,710 --> 01:09:08,512 NO. 1057 01:09:08,512 --> 01:09:11,715 CAUGHT A LITTLE SHORT? 1058 01:09:11,715 --> 01:09:13,450 SORT OF. 1059 01:09:17,120 --> 01:09:18,522 YES. 1060 01:09:18,522 --> 01:09:20,624 THAT'S NOTHING TO BE ASHAMED OF, BABY, 1061 01:09:20,624 --> 01:09:21,758 NOT NOWADAYS. 1062 01:09:21,758 --> 01:09:23,527 WHAT'S YOUR NAME? 1063 01:09:27,163 --> 01:09:28,598 LULU. 1064 01:09:28,598 --> 01:09:31,167 THAT'S A VERY NICE NAME. 1065 01:09:31,167 --> 01:09:32,902 I DON'T LIKE IT VERY MUCH. 1066 01:09:32,902 --> 01:09:34,338 IT MAKES ME SOUND CHEAP. 1067 01:09:34,338 --> 01:09:38,542 NAH. NOBODY WOULD EVER SAY THAT...LULU. 1068 01:09:40,176 --> 01:09:42,579 COME HERE. COME HERE. 1069 01:09:42,579 --> 01:09:46,583 NOW, LOOK AT THAT BIG, FAT WHORE OVER THERE. 1070 01:09:46,583 --> 01:09:49,786 THAT'S WHAT I CALL CHEAP. 1071 01:09:51,187 --> 01:09:54,258 WHO ARE YOU LOOKING AT? 1072 01:09:55,792 --> 01:09:57,527 YOU OK? 1073 01:09:58,928 --> 01:10:00,930 I FEEL A LITTLE SICK. 1074 01:10:00,930 --> 01:10:02,599 HERE, TAKE A CHAIR. 1075 01:10:06,202 --> 01:10:09,406 HOW MUCH YOU HAD TO EAT TODAY? 1076 01:10:11,207 --> 01:10:12,442 NOTHING. 1077 01:10:12,442 --> 01:10:15,412 A GIRL LOOKS LIKE YOU SHOULDN'T GO HUNGRY. 1078 01:10:19,883 --> 01:10:21,951 YOU KNOW, YOU'RE VERY NICE-LOOKING, LULU. 1079 01:10:23,687 --> 01:10:25,088 THANK YOU. 1080 01:10:25,088 --> 01:10:26,623 [MUSIC PLAYING] 1081 01:10:26,623 --> 01:10:29,393 Irving Aaronson: * YOU COULD HAVE A GREAT CAREER * 1082 01:10:29,393 --> 01:10:30,794 * AND YOU SHOULD * 1083 01:10:30,794 --> 01:10:32,896 YES, YOU SHOULD. 1084 01:10:32,896 --> 01:10:35,365 * ONLY ONE THING STOPS YOU, DEAR, YOU'RE TOO GOOD * 1085 01:10:35,365 --> 01:10:36,633 TOO DAMN GOOD. 1086 01:10:36,633 --> 01:10:39,102 * IF YOU WANT A FUTURE, DARLING * 1087 01:10:39,102 --> 01:10:41,771 * WHY DON'T YOU GET A PAST? * 1088 01:10:41,771 --> 01:10:45,008 * 'CAUSE THAT FATED MOMENT'S COMING AT LAST * 1089 01:10:45,008 --> 01:10:46,510 * WE'RE ALL ALONE * 1090 01:10:46,510 --> 01:10:49,679 * NO CHAPERONE CAN GET OUR NUMBER * 1091 01:10:49,679 --> 01:10:54,684 * THE WORLD'S IN SLUMBER, LET'S MISBEHAVE * 1092 01:10:54,684 --> 01:10:57,153 * THERE'S SOMETHING WILD ABOUT YOU, CHILD * 1093 01:10:57,153 --> 01:10:59,456 * THAT'S SO CONTAGIOUS * 1094 01:10:59,456 --> 01:11:01,991 * LET'S BE OUTRAGEOUS * 1095 01:11:01,991 --> 01:11:04,160 * LET'S MISBEHAVE * 1096 01:11:04,160 --> 01:11:05,495 * WHEN ADAM WON EVE'S HAND * 1097 01:11:05,495 --> 01:11:08,231 * HE WOULDN'T STAND FOR TEASIN' * 1098 01:11:08,231 --> 01:11:12,636 * HE DIDN'T CARE ABOUT THOSE APPLES OUT OF SEASON * 1099 01:11:12,636 --> 01:11:14,538 * THEY SAY THE SPRING 1100 01:11:14,538 --> 01:11:17,641 * MEANS JUST ONE THING TO LITTLE LOVEBIRDS * 1101 01:11:17,641 --> 01:11:20,009 * WE'RE NOT ABOVE BIRDS * 1102 01:11:20,009 --> 01:11:21,511 * LET'S MISBEHAVE * 1103 01:11:25,349 --> 01:11:26,983 [SINGING SCAT] 1104 01:11:33,957 --> 01:11:35,392 * LET'S MISBEHAVE * 1105 01:11:43,132 --> 01:11:44,734 * LET'S MISBEHAVE * 1106 01:11:44,734 --> 01:11:49,105 * IF YOU'D BE JUST SO SWEET AND ONLY MEET YOUR FATE, DEAR * 1107 01:11:49,105 --> 01:11:53,810 * 'TWOULD BE THE GREAT EVENT OF 1928, DEAR * 1108 01:11:53,810 --> 01:11:54,811 * WAH * 1109 01:12:33,917 --> 01:12:35,351 OK! 1110 01:12:38,388 --> 01:12:40,023 YEAH! 1111 01:12:54,438 --> 01:12:56,039 WHOA! 1112 01:13:00,444 --> 01:13:02,412 WHOA! 1113 01:13:26,202 --> 01:13:27,804 YEAH! 1114 01:13:57,467 --> 01:14:00,003 WHOA! 1115 01:14:07,043 --> 01:14:10,446 WHAT DID YOU COME IN THIS PLACE FOR? 1116 01:14:14,518 --> 01:14:16,520 DID YOU THINK SOME GUY'S GOING TO GIVE YOU 1117 01:14:16,520 --> 01:14:20,724 A FIN JUST LIKE THAT, FOR NOTHING? 1118 01:14:20,724 --> 01:14:22,125 NO. 1119 01:14:22,125 --> 01:14:23,192 NOWADAYS? 1120 01:14:23,192 --> 01:14:25,729 THAT'S ALMOST A WEEK'S PAY FOR SOME GIRLS. 1121 01:14:28,965 --> 01:14:30,066 YES. 1122 01:14:30,066 --> 01:14:32,101 I MEAN, YOU GOT TO GIVE SOMETHING BACK 1123 01:14:32,101 --> 01:14:34,738 IN RETURN, DON'T YOU? 1124 01:14:34,738 --> 01:14:35,639 YES. 1125 01:14:35,639 --> 01:14:38,742 I MEAN-- YES! 1126 01:14:40,510 --> 01:14:42,812 I KNOW HOW YOU FEEL. 1127 01:14:44,514 --> 01:14:46,115 DO YOU? 1128 01:14:46,115 --> 01:14:47,551 I CAN IMAGINE. 1129 01:14:47,551 --> 01:14:49,052 I'M NOT SUCH A BAD GUY 1130 01:14:49,052 --> 01:14:51,154 WHEN YOU COME RIGHT DOWN TO IT. 1131 01:14:53,122 --> 01:14:54,991 ARE YOU MARRIED? 1132 01:14:56,793 --> 01:14:59,028 YES, I THOUGHT YOU WERE. 1133 01:15:00,530 --> 01:15:02,732 BEEN AROUND, HAVEN'T YOU? 1134 01:15:07,136 --> 01:15:08,938 I'VE HAD DOZENS. 1135 01:15:08,938 --> 01:15:12,141 SO, WHAT'S ALL THE FUSS ABOUT? 1136 01:15:13,543 --> 01:15:15,745 IT'S NO FUSS... 1137 01:15:17,547 --> 01:15:18,815 BABY. 1138 01:15:18,815 --> 01:15:21,951 YEAH. GET ME ANOTHER. 1139 01:15:21,951 --> 01:15:25,321 YOU'RE NOT A TEASE, ARE YOU? 1140 01:15:25,321 --> 01:15:27,557 UH... 1141 01:15:27,557 --> 01:15:29,593 A TEASE? 1142 01:15:29,593 --> 01:15:31,928 'CAUSE I'LL CUT YOUR FACE. 1143 01:15:40,670 --> 01:15:43,172 I'D LIKE ANOTHER DRINK. 1144 01:15:43,172 --> 01:15:44,641 HMM? 1145 01:15:46,876 --> 01:15:48,411 PLEASE? 1146 01:15:48,411 --> 01:15:51,280 CERTAINLY, DARLING. 1147 01:15:53,149 --> 01:15:54,584 SAME AGAIN? 1148 01:15:54,584 --> 01:15:57,020 YES, PLEASE. 1149 01:16:03,693 --> 01:16:07,196 OH, ARTHUR. OH... 1150 01:16:08,865 --> 01:16:10,900 JOAN. 1151 01:16:10,900 --> 01:16:12,301 JOAN? 1152 01:16:14,704 --> 01:16:20,309 NOBODY'S BUYING, JOAN. NOBODY. 1153 01:16:20,309 --> 01:16:23,713 I MADE A MISTAKE. 1154 01:16:23,713 --> 01:16:25,915 I LOST ALL-- 1155 01:16:29,318 --> 01:16:30,720 Men: * BUM BUM BUM BUM * 1156 01:16:30,720 --> 01:16:33,857 * BUM BUM BUM BUM BUM BUM BUM BUM * 1157 01:16:33,857 --> 01:16:36,726 * BUM BUM BUM BUM BUM * 1158 01:16:36,726 --> 01:16:38,094 * WAH * 1159 01:16:38,094 --> 01:16:41,264 * PEOPLE ARE QUEER, THEY'RE ALWAYS CROWIN' * 1160 01:16:41,264 --> 01:16:45,735 * SCRAMBLING AND RUSHING ABOUT * 1161 01:16:45,735 --> 01:16:47,737 * WHY DON'T THEY STOP SOMEDAY * 1162 01:16:47,737 --> 01:16:49,205 * BUM BA BUM BA BUM * 1163 01:16:49,205 --> 01:16:51,741 * ADDRESS THEMSELVES THIS WAY? * 1164 01:16:51,741 --> 01:16:53,142 * WA DA DA DA DA * 1165 01:16:53,142 --> 01:16:56,479 * WHY ARE WE HERE? WHERE ARE WE GOING? * 1166 01:16:56,479 --> 01:16:58,882 * IT'S TIME THAT WE FOUND OUT * 1167 01:16:58,882 --> 01:17:00,483 * BUM BA BUM BA BUM * 1168 01:17:00,483 --> 01:17:03,019 * WE'RE NOT HERE TO STAY * 1169 01:17:03,019 --> 01:17:06,022 * WE'RE ON A SHORT HOLIDAY * 1170 01:17:06,022 --> 01:17:07,857 * BUM BA BUM BA BUM BA BUM * 1171 01:17:07,857 --> 01:17:10,393 * LIFE IS JUST A BOWL OF CHERRIES * 1172 01:17:10,393 --> 01:17:14,297 * DON'T MAKE IT SERIOUS, LIFE'S TOO MYSTERIOUS * 1173 01:17:14,297 --> 01:17:17,566 * YOU WORK, YOU SAVE, YOU WORRY SO * 1174 01:17:17,566 --> 01:17:21,437 * BUT YOU CAN'T TAKE YOUR DOUGH WHEN YOU GO, GO, GO * 1175 01:17:21,437 --> 01:17:25,174 * SO KEEP REPEATING, IT'S THE BERRIES * 1176 01:17:25,174 --> 01:17:27,844 * THE STRONGEST OAK MUST FALL * 1177 01:17:27,844 --> 01:17:29,312 * MUST FALL * 1178 01:17:29,312 --> 01:17:32,381 * THE BEST THINGS IN LIFE TO YOU ARE JUST LOANED * 1179 01:17:32,381 --> 01:17:36,085 * SO TELL ME, HOW CAN YOU EVER LOSE WHAT YOU NEVER OWNED? * 1180 01:17:36,085 --> 01:17:40,056 * LIFE IS JUST A BOWL OF CHERRIES * 1181 01:17:40,056 --> 01:17:44,627 * SO LIVE AND LAUGH AT IT ALL * 1182 01:17:44,627 --> 01:17:45,929 * WAH * 1183 01:17:45,929 --> 01:17:47,731 * LAUGH AT IT ALL * 1184 01:17:52,401 --> 01:17:54,003 HI, SWEETIE. 1185 01:17:56,672 --> 01:17:58,074 WANT A NICE TIME, HONEY? 1186 01:17:58,074 --> 01:17:59,809 NO. I LIKE FEELING MISERABLE. 1187 01:17:59,809 --> 01:18:01,410 JUST AROUND THE CORNER, HONEY. 1188 01:18:01,410 --> 01:18:02,812 SHOW YOU A REAL GOOD TIME. 1189 01:18:02,812 --> 01:18:04,413 [WOMAN GIGGLING] 1190 01:18:04,413 --> 01:18:06,415 Man: COME ON, BABY. 1191 01:18:06,415 --> 01:18:07,884 [WOMAN LAUGHING] 1192 01:18:07,884 --> 01:18:11,888 ALL RIGHT. OK. 1193 01:18:14,891 --> 01:18:18,795 Arthur's voice: EILEEN, MY GOD, 1194 01:18:18,795 --> 01:18:20,329 WHAT ARE YOU DOING HERE? 1195 01:18:20,329 --> 01:18:23,699 Eileen's voice: ARTHUR. OH, ARTHUR, 1196 01:18:23,699 --> 01:18:25,969 YOU ARE SUCH A BASTARD. 1197 01:18:25,969 --> 01:18:30,306 PUT YOURSELF IN MY SHOES, EILEEN. 1198 01:18:30,306 --> 01:18:31,707 OH, I HAVE, 1199 01:18:31,707 --> 01:18:34,710 AND I KNOW I CAN'T RELY ON YOU, ARTHUR, 1200 01:18:34,710 --> 01:18:36,780 NOT FOR ANYTHING. 1201 01:18:36,780 --> 01:18:40,249 THAT'S RIGHT. BLAME IT ALL ON ME. 1202 01:18:43,252 --> 01:18:44,653 OH, ARTHUR-- 1203 01:18:44,653 --> 01:18:46,055 I KNOW, I KNOW. 1204 01:18:46,055 --> 01:18:48,657 I CAN HEAR MYSELF SAY THINGS SOMETIMES. 1205 01:18:48,657 --> 01:18:50,860 GOD, I'M A WASHOUT. 1206 01:18:53,262 --> 01:18:55,264 WHAT ABOUT THE BABY? 1207 01:18:56,665 --> 01:18:58,401 WHAT'S HAPPENED? 1208 01:19:03,672 --> 01:19:06,275 IT'S BEEN GOTTEN RID OF. 1209 01:19:07,676 --> 01:19:11,680 THIS GUY...PAID TO GET RID OF IT. 1210 01:19:11,680 --> 01:19:13,682 HE BOUGHT ME CLOTHES, 1211 01:19:13,682 --> 01:19:16,685 AND NOW HE SAYS I OWE HIM $200, 1212 01:19:16,685 --> 01:19:18,687 AND IF I DON'T GET IT-- 1213 01:19:18,687 --> 01:19:20,689 GOD, WHY IS IT SO HARD? 1214 01:19:20,689 --> 01:19:22,691 WHY CAN'T THE WORLD... 1215 01:19:22,691 --> 01:19:25,094 BECAUSE THAT'S THE WAY IT IS. 1216 01:19:25,094 --> 01:19:27,696 BUT I WANT TO LIVE IN A WORLD 1217 01:19:27,696 --> 01:19:29,698 WHERE THE SONGS COME TRUE. 1218 01:19:29,698 --> 01:19:31,700 THERE MUST BE SOMEPLACE 1219 01:19:31,700 --> 01:19:34,703 WHERE THEM SONGS ARE FOR REAL. 1220 01:19:34,703 --> 01:19:36,705 HAPPY DAYS ARE HERE AGAIN. 1221 01:19:36,705 --> 01:19:39,175 IS THAT IT, ARTHUR? 1222 01:19:45,681 --> 01:19:47,716 Eileen: WHERE THE HELL IS THIS PLACE? 1223 01:19:47,716 --> 01:19:49,318 Arthur: IT'S RIGHT HERE. 1224 01:19:49,318 --> 01:19:50,920 [UNLOCKING DOOR] 1225 01:19:56,725 --> 01:19:58,127 PHONOGRAPH RECORDS. 1226 01:19:58,127 --> 01:19:59,728 HUNDREDS AND HUNDREDS. 1227 01:19:59,728 --> 01:20:01,030 ANY DANCE TUNE YOU CAN NAME. 1228 01:20:01,030 --> 01:20:02,331 ANY GOOD DANCE TUNE. 1229 01:20:02,331 --> 01:20:04,733 I'LL TELL YOU-- 1230 01:20:04,733 --> 01:20:07,736 DANCE TUNES DON'T HELP, ARTHUR. 1231 01:20:07,736 --> 01:20:10,940 WHAT AM I GOING TO DO? 1232 01:20:17,146 --> 01:20:19,949 CAN'T YOU GO BACK HOME? 1233 01:20:21,750 --> 01:20:23,152 NO. 1234 01:20:23,152 --> 01:20:25,154 I WAS ALREADY DEAD THERE. 1235 01:20:25,154 --> 01:20:27,156 THIS WAY FEELS LIKE DYING, 1236 01:20:27,156 --> 01:20:29,758 BUT I CAN SEE EVERYTHING, 1237 01:20:29,758 --> 01:20:31,494 FEEL EVERYTHING. 1238 01:20:31,494 --> 01:20:34,363 DO YOU UNDERSTAND? 1239 01:20:34,363 --> 01:20:36,365 DID YOU... 1240 01:20:38,767 --> 01:20:41,637 DID YOU LIKE DOING IT... 1241 01:20:41,637 --> 01:20:43,339 FOR MONEY? 1242 01:20:46,775 --> 01:20:47,843 IT WASN'T AS BAD 1243 01:20:47,843 --> 01:20:50,213 AS I THOUGHT IT WAS GOING TO BE. 1244 01:20:51,647 --> 01:20:54,783 OH, MY GOD, YOU'RE SOMETHING. 1245 01:20:54,783 --> 01:20:57,987 WE'RE THE SAME SORT, YOU AND ME. 1246 01:20:59,188 --> 01:21:01,190 WE GOT TO STICK TOGETHER. 1247 01:21:01,190 --> 01:21:03,792 BUT I CAN'T RELY ON YOU, ARTHUR. 1248 01:21:03,792 --> 01:21:05,194 LISTEN TO ME. 1249 01:21:05,194 --> 01:21:07,196 I AM. I AM, VERY CAREFULLY. 1250 01:21:07,196 --> 01:21:10,199 I'LL TELL YOU, I'M CHOKING TO DEATH. 1251 01:21:10,199 --> 01:21:12,601 I SHOULD HAVE HUNG ONTO YOU, 1252 01:21:12,601 --> 01:21:13,802 NO MATTER WHAT. 1253 01:21:13,802 --> 01:21:16,805 I WANTED MY OWN RECORD STORE. 1254 01:21:16,805 --> 01:21:18,807 HA HA HA! 1255 01:21:18,807 --> 01:21:20,209 I KNOW. I KNOW. 1256 01:21:20,209 --> 01:21:23,212 IT'S ENOUGH TO MAKE A GODDAMN CAT LAUGH. 1257 01:21:23,212 --> 01:21:26,815 ARTHUR, YOU'LL NEVER BE SATISFIED, 1258 01:21:26,815 --> 01:21:28,817 NOT SOMEBODY LIKE YOU. 1259 01:21:28,817 --> 01:21:31,020 DON'T SAY THAT. 1260 01:21:35,224 --> 01:21:38,294 YOU'RE LIKE THE CHILDREN IN MY CLASS. 1261 01:21:38,294 --> 01:21:42,031 BUT YOU'RE STILL SWEET ON ME, AIN'T YOU? 1262 01:21:44,433 --> 01:21:47,303 YOU STILL WANT ME... 1263 01:21:47,303 --> 01:21:48,938 HUH, EILEEN? 1264 01:21:50,839 --> 01:21:53,576 TELL THE TRUTH. 1265 01:21:53,576 --> 01:21:55,578 YES, I DO. 1266 01:21:56,980 --> 01:21:59,248 AND I'LL GO ANYWHERE WITH YOU 1267 01:21:59,248 --> 01:22:01,250 OR DO ANYTHING WITH YOU. 1268 01:22:01,250 --> 01:22:03,452 I'VE BURNED ALL MY BRIDGES, ARTHUR. 1269 01:22:03,452 --> 01:22:04,853 I'M NOT GOING HOME. 1270 01:22:04,853 --> 01:22:06,655 I'M NOT GOING TO WALK THE STREET EITHER, 1271 01:22:06,655 --> 01:22:08,824 AND I'LL BE DAMNED IF I'M GOING TO GO HUNGRY. 1272 01:22:08,824 --> 01:22:12,461 LULU I AM. LULU I STAY. 1273 01:22:16,865 --> 01:22:20,069 SO, WHAT ARE WE GOING TO DO? 1274 01:22:23,272 --> 01:22:25,808 THE TROUBLE IS, I'M HARD UP. 1275 01:22:25,808 --> 01:22:28,877 I CAN ALWAYS PICK UP SOME MONEY. 1276 01:22:28,877 --> 01:22:30,813 NOW I KNOW HOW. 1277 01:22:30,813 --> 01:22:32,715 I HAVEN'T EVEN GOT MY CAR ANYMORE. 1278 01:22:32,715 --> 01:22:35,384 WE'LL GET ANOTHER ONE ONE DAY. 1279 01:22:35,384 --> 01:22:36,885 WHAT? 1280 01:22:36,885 --> 01:22:39,288 JUST GO? 1281 01:22:39,288 --> 01:22:41,790 JUST GO AND LEAVE EVERYTHING? 1282 01:22:41,790 --> 01:22:44,893 JUST LIKE THAT? 1283 01:22:44,893 --> 01:22:47,096 JUST LIKE THAT. 1284 01:22:50,899 --> 01:22:52,635 ALL RIGHT. 1285 01:22:52,635 --> 01:22:53,569 HA HA HA! 1286 01:22:53,569 --> 01:22:57,040 THEN LET'S GET OUT OF HERE, SHALL WE? 1287 01:22:57,040 --> 01:22:58,507 YEAH! 1288 01:22:59,908 --> 01:23:00,909 OH! 1289 01:23:00,909 --> 01:23:02,911 WAIT. HANG ON A MINUTE. 1290 01:23:02,911 --> 01:23:04,313 WHAT ARE YOU DOING? 1291 01:23:04,313 --> 01:23:06,915 YABBA DABBA HONEYMOON! 1292 01:23:06,915 --> 01:23:08,317 ME AND MY SHADOW! 1293 01:23:08,317 --> 01:23:09,918 DANCING WITH MY SHADOW! 1294 01:23:09,918 --> 01:23:11,320 AAH! WHAT ARE YOU DOING?! 1295 01:23:11,320 --> 01:23:12,921 SUNNY SIDE OF THE STREET! 1296 01:23:12,921 --> 01:23:14,923 WHAT ARE YOU DOING?! 1297 01:23:14,923 --> 01:23:17,560 OOH! OH! AAH! 1298 01:23:19,028 --> 01:23:21,597 DANCING WITH TEARS IN MY EYES! 1299 01:23:24,100 --> 01:23:25,368 PENNIES FROM HEAVEN! 1300 01:23:25,368 --> 01:23:27,036 WAIT! NOT THAT ONE! 1301 01:23:27,036 --> 01:23:29,038 NO! NOT THAT ONE! 1302 01:23:29,038 --> 01:23:31,040 YES! HA HA HA! 1303 01:23:31,040 --> 01:23:32,641 WHAT'S THAT? 1304 01:23:32,641 --> 01:23:34,243 DON'T-- 1305 01:23:37,646 --> 01:23:40,883 HA HA HA! 1306 01:23:40,883 --> 01:23:43,252 [EILEEN LAUGHING] 1307 01:23:52,895 --> 01:23:55,398 HE'S DEAD, ISN'T HE? MURDERED. 1308 01:23:55,398 --> 01:23:56,865 Lieutenant: NOTHING LIKE THAT, MRS. PARKER. 1309 01:23:56,865 --> 01:23:57,900 PLEASE, LISTEN TO ME. 1310 01:23:57,900 --> 01:23:59,135 YOUR HUSBAND LEFT HIS STORE 1311 01:23:59,135 --> 01:24:00,536 AT CLOSE OF BUSINESS, 1312 01:24:00,536 --> 01:24:02,571 WENT TO A BAR IN THE NEIGHBORHOOD. 1313 01:24:02,571 --> 01:24:05,741 NOW, HE WAS LATER SEEN BY A RELIABLE WITNESS 1314 01:24:05,741 --> 01:24:07,343 TO RETURN TO HIS STORE. 1315 01:24:07,343 --> 01:24:09,378 WAS SOMEBODY WITH HIM? 1316 01:24:10,479 --> 01:24:13,382 HE WAS WITH A YOUNG LADY. 1317 01:24:13,382 --> 01:24:17,286 WELL, WHEN I SAY LADY... 1318 01:24:18,621 --> 01:24:19,755 GO ON. 1319 01:24:19,755 --> 01:24:23,826 WE'VE BEEN PIECING THINGS TOGETHER, MRS. PARKER, 1320 01:24:23,826 --> 01:24:27,096 AND I'M SORRY, BUT THIS WOMAN WAS A PROSTITUTE. 1321 01:24:27,096 --> 01:24:29,232 YOU MEAN, SHE WENT THERE TO-- 1322 01:24:29,232 --> 01:24:31,100 YES, MA'AM. 1323 01:24:33,302 --> 01:24:35,904 HE WAS LIKE THAT? 1324 01:24:35,904 --> 01:24:37,706 HE... 1325 01:24:37,706 --> 01:24:39,942 HOW DO YOU MEAN? 1326 01:24:39,942 --> 01:24:41,844 I MEAN, WAS HE DISTURBED 1327 01:24:41,844 --> 01:24:43,112 IN ANY WAY ABOUT ANYTHING? 1328 01:24:43,112 --> 01:24:47,283 WAS HE ODD, RESTLESS...NUTS? 1329 01:24:47,283 --> 01:24:48,851 HAS ARTHUR DONE SOMETHING ELSE? 1330 01:24:48,851 --> 01:24:50,519 IS THAT WHY YOU TOOK HIS SHOE? 1331 01:24:50,519 --> 01:24:51,420 PLEASE, THINK. 1332 01:24:51,420 --> 01:24:53,622 WAS HE ACTING STRANGE IN ANY WAY? 1333 01:25:01,130 --> 01:25:03,732 HE MADE ME... 1334 01:25:03,732 --> 01:25:05,801 WEAR...LIPSTICK. 1335 01:25:05,801 --> 01:25:07,069 SO? 1336 01:25:07,069 --> 01:25:10,339 NO. UH... 1337 01:25:12,741 --> 01:25:14,743 ON THE... 1338 01:25:14,743 --> 01:25:16,745 ON THE... 1339 01:25:18,414 --> 01:25:20,249 POINTS OF MY BOSOM. 1340 01:25:20,249 --> 01:25:24,153 OH, WELL... WELL, THAT'S, UH... 1341 01:25:24,153 --> 01:25:25,754 AND... 1342 01:25:25,754 --> 01:25:27,356 HUH? 1343 01:25:27,356 --> 01:25:30,359 HE ASKED ME IF I WOULD... 1344 01:25:31,560 --> 01:25:33,762 NO, NO, NO, MRS. PARKER. 1345 01:25:33,762 --> 01:25:35,698 PLEASE, PLEASE, GO ON. 1346 01:25:39,168 --> 01:25:43,172 IF I WOULD STOP WEARING A CERTAIN...GARMENT, 1347 01:25:43,172 --> 01:25:47,843 A CERTAIN... ITEM OF UNDERWEAR. 1348 01:25:54,183 --> 01:25:57,786 WAS THIS AN UPPER... 1349 01:25:57,786 --> 01:26:00,456 OR A LOWER GARMENT? 1350 01:26:02,658 --> 01:26:04,560 A, UM...LOWER. 1351 01:26:04,560 --> 01:26:05,561 WHAT? 1352 01:26:05,561 --> 01:26:08,063 LOWER. 1353 01:26:08,063 --> 01:26:11,300 OH. 1354 01:26:14,737 --> 01:26:16,171 MRS. PARKER... 1355 01:26:16,171 --> 01:26:18,607 ABOUT 6 WEEKS AGO-- CAN YOU THINK BACK? 1356 01:26:18,607 --> 01:26:21,610 YOUR HUSBAND TRAVELED BACK TO CHICAGO 1357 01:26:21,610 --> 01:26:25,214 ALONG ILLINOIS ROUTE ONE. 1358 01:26:25,214 --> 01:26:26,815 HE... 1359 01:26:28,217 --> 01:26:31,220 OH, THAT MUST HAVE BEEN THE NIGHT... 1360 01:26:32,821 --> 01:26:37,426 OH...I REMEMBER IT NOW. 1361 01:26:39,628 --> 01:26:44,233 HE SAID, "I GOT TO CHANGE. I GOT TO BE GOOD." 1362 01:26:44,233 --> 01:26:46,735 HE'S GOT TO BE GOOD, HUH? 1363 01:26:46,735 --> 01:26:48,103 THE HELL. 1364 01:26:48,103 --> 01:26:50,239 CUT HIS THING OFF. 1365 01:26:51,440 --> 01:26:55,744 I WANT THEM TO CUT HIS THING OFF AND BURY IT. 1366 01:26:59,014 --> 01:27:00,416 I'M SICK OF BEING POOR. 1367 01:27:00,416 --> 01:27:03,852 HEY, I'LL FIND SOMETHING SOON. 1368 01:27:03,852 --> 01:27:05,254 MAYBE TOMORROW, HUH? 1369 01:27:05,254 --> 01:27:06,255 YEAH. 1370 01:27:06,255 --> 01:27:07,790 MAYBE. 1371 01:27:07,790 --> 01:27:08,757 JESUS CHRIST, EILEEN. 1372 01:27:08,757 --> 01:27:10,659 YOU'RE BEGINNING TO SOUND LIKE MY WIFE. 1373 01:27:10,659 --> 01:27:13,262 I'M NOT SURPRISED. POOR WOMAN. 1374 01:27:13,262 --> 01:27:16,198 WHAT IS IT ABOUT WOMEN? 1375 01:27:16,198 --> 01:27:18,801 DO YOUR MOTHERS TEACH IT TO YOU OR WHAT? 1376 01:27:18,801 --> 01:27:22,471 I HARDLY EVER KNEW MY MOTHER, POOR SOUL. 1377 01:27:24,139 --> 01:27:26,809 SHE WORKED HER FINGERS TO THE BONE, 1378 01:27:26,809 --> 01:27:27,776 AND FOR WHAT? 1379 01:27:27,776 --> 01:27:30,946 LIFE WITH A STOVE AND A WASHTUB AND-- 1380 01:27:30,946 --> 01:27:32,615 OH, WHAT'S THE USE? 1381 01:27:34,883 --> 01:27:37,486 SHE WAS DEAD AT 45. 1382 01:27:38,687 --> 01:27:42,024 WE ONLY GOT ONE LIFE, ARTHUR. 1383 01:27:44,293 --> 01:27:47,296 AND I WAS CONTENT WITH MINE. 1384 01:27:47,296 --> 01:27:49,498 I DIDN'T EVEN THINK ABOUT IT, 1385 01:27:49,498 --> 01:27:50,599 JUST ACCEPTED IT, 1386 01:27:50,599 --> 01:27:54,236 BUT YOU CHANGED ALL THAT. 1387 01:27:54,236 --> 01:27:56,705 YOU KILLED OFF MY OLD LIFE. 1388 01:27:56,705 --> 01:28:00,042 THAT'S RIGHT, BLAME ME. 1389 01:28:00,042 --> 01:28:02,044 NO, NO. 1390 01:28:07,316 --> 01:28:09,718 I'M GLAD YOU DID. 1391 01:28:09,718 --> 01:28:12,655 WHEN YOU MADE LOVE TO ME... 1392 01:28:14,056 --> 01:28:17,326 I SAW THINGS DIFFERENTLY. 1393 01:28:17,326 --> 01:28:20,329 I HAD TO GET AWAY. 1394 01:28:20,329 --> 01:28:24,933 I HAD TO SEE SOMETHING ELSE... 1395 01:28:24,933 --> 01:28:27,736 SOMETHING MORE. 1396 01:28:27,736 --> 01:28:30,939 I WANT NICE THINGS, ARTHUR. 1397 01:28:30,939 --> 01:28:32,941 [TRAIN PASSING] 1398 01:28:34,743 --> 01:28:37,513 AND YOU'LL HAVE THEM, HONEY. 1399 01:28:37,513 --> 01:28:38,514 BUT I DON'T WANT TO WAIT. 1400 01:28:38,514 --> 01:28:39,515 THERE ISN'T TIME. 1401 01:28:39,515 --> 01:28:41,116 DON'T SAY THAT. 1402 01:28:41,116 --> 01:28:42,518 NO, THERE ISN'T. 1403 01:28:42,518 --> 01:28:44,720 I KNOW THERE ISN'T. 1404 01:28:46,121 --> 01:28:49,124 DON'T ASK ME HOW. I JUST KNOW. 1405 01:28:49,124 --> 01:28:51,326 WHAT'S HAPPENING? 1406 01:28:52,528 --> 01:28:54,363 WHERE ARE YOU GOING? 1407 01:28:54,363 --> 01:28:56,999 ARE THE SEAMS ON MY STOCKINGS STRAIGHT? 1408 01:28:59,101 --> 01:29:01,069 YOU GOT TERRIFIC LEGS, BABY. 1409 01:29:01,069 --> 01:29:04,239 LET'S HOPE SO. 1410 01:29:04,239 --> 01:29:07,242 HEY. WHAT ARE YOU GOING TO DO? 1411 01:29:07,242 --> 01:29:08,844 GET SOME DOUGH. 1412 01:29:08,844 --> 01:29:09,845 EILEEN! 1413 01:29:10,679 --> 01:29:12,548 LOOK, WILL YOU LISTEN TO ME? 1414 01:29:12,548 --> 01:29:15,651 THERE'S ENOUGH TO GET AN INDICTMENT. 1415 01:29:15,651 --> 01:29:17,686 HIS SHOE FITS THE PRINT MADE AT THE SCENE. 1416 01:29:17,686 --> 01:29:19,254 HIS FINGERPRINTS ARE ON 1417 01:29:19,254 --> 01:29:21,657 THE CIGARETTE PACK FOUND AT THE SCENE. 1418 01:29:21,657 --> 01:29:24,259 HE SAID HE HAD SEEN A MESSAGE THAT NIGHT, 1419 01:29:24,259 --> 01:29:26,862 AND HE'S ON THE RUN WITH THIS, THIS... 1420 01:29:26,862 --> 01:29:29,031 THIS TRAMP. 1421 01:29:29,031 --> 01:29:31,467 [MOVIE SOUNDTRACK PLAYING] 1422 01:30:14,577 --> 01:30:17,312 I'D LIKE THAT BABY ONE DAY. 1423 01:30:17,312 --> 01:30:20,516 I'D LIKE TO HAVE THAT BABY, AND THEN... 1424 01:30:21,917 --> 01:30:23,652 AND THEN WHAT? 1425 01:30:25,320 --> 01:30:27,523 I DON'T KNOW. 1426 01:30:28,924 --> 01:30:29,825 NO, COME ON. 1427 01:30:29,825 --> 01:30:32,327 WHAT WERE YOU GOING TO SAY? 1428 01:30:32,327 --> 01:30:34,329 I DON'T KNOW, EXCEPT... 1429 01:30:34,329 --> 01:30:37,533 HEY, YOU'RE NOT GOING TO CRY, ARE YOU? 1430 01:30:38,734 --> 01:30:40,736 LISTEN, THERE'S GOT TO BE SOMETHING 1431 01:30:40,736 --> 01:30:42,938 ON THE OTHER SIDE OF THE RAINBOW. 1432 01:30:42,938 --> 01:30:44,940 THERE ALWAYS IS. 1433 01:30:51,880 --> 01:30:57,520 * THERE MAY BE TRAUMA AHEAD * 1434 01:30:57,520 --> 01:31:00,055 * BUT WHILE THERE'S MOONLIGHT 1435 01:31:00,055 --> 01:31:00,923 * AND MUSIC * 1436 01:31:00,923 --> 01:31:05,728 * AND LOVE AND ROMANCE * 1437 01:31:05,728 --> 01:31:11,634 * LET'S FACE THE MUSIC AND DANCE * 1438 01:31:11,634 --> 01:31:17,072 * BEFORE THE FIDDLERS HAVE FLED * 1439 01:31:17,072 --> 01:31:22,077 * BEFORE THEY ASK US TO PAY THE BILL * 1440 01:31:22,077 --> 01:31:28,517 * AND WHILE WE STILL HAVE THE CHANCE * 1441 01:31:28,517 --> 01:31:33,522 * LET'S FACE THE MUSIC AND DANCE * 1442 01:31:33,522 --> 01:31:39,061 * SOON, WE'LL BE WITHOUT THE MOON * 1443 01:31:39,061 --> 01:31:42,264 * HUMMING A DIFFERENT TUNE * 1444 01:31:42,264 --> 01:31:45,601 * AND THEN * 1445 01:31:45,601 --> 01:31:51,907 * THERE MAY BE TEARDROPS TO SHED * 1446 01:31:51,907 --> 01:31:55,578 * SO WHILE THERE'S MOONLIGHT AND MUSIC * 1447 01:31:55,578 --> 01:32:00,583 * AND LOVE AND ROMANCE * 1448 01:32:00,583 --> 01:32:04,519 * LET'S FACE THE MUSIC AND DANCE * 1449 01:32:04,519 --> 01:32:06,589 * DANCE * 1450 01:32:06,589 --> 01:32:13,195 * LET'S FACE THE MUSIC AND DANCE * 1451 01:34:26,929 --> 01:34:28,196 Arthur: ALWAYS THE SAME. 1452 01:34:28,196 --> 01:34:29,331 Eileen: WHAT IS? 1453 01:34:29,331 --> 01:34:30,165 COME OUT OF THE MOVIES, 1454 01:34:30,165 --> 01:34:31,466 THE GODDAMN WORLD HAS CHANGED. 1455 01:34:31,466 --> 01:34:32,467 GODDAMN RAIN. 1456 01:34:32,467 --> 01:34:33,635 FORGET IT. 1457 01:34:33,635 --> 01:34:36,171 * WE'LL BE SINGING IN THE RAIN * 1458 01:34:36,171 --> 01:34:38,140 Newsboy: EXTRA! EXTRA! READ ALL ABOUT IT! 1459 01:34:38,140 --> 01:34:40,142 CHICAGO SONG SALESMAN HUNTED IN BLIND GIRL MURDER! 1460 01:34:40,142 --> 01:34:43,746 CHICAGO SONG SALESMAN HUNTED IN BLIND GIRL MURDER! 1461 01:34:43,746 --> 01:34:46,749 SONG SALESMAN HUNTED IN BLIND GIRL MURDER! 1462 01:34:46,749 --> 01:34:48,183 WOULD YOU LIKE A PAPER? 1463 01:34:48,183 --> 01:34:51,754 CHICAGO SONG SALESMAN HUNTED IN BLIND GIRL MURDER! 1464 01:34:51,754 --> 01:34:54,156 EXTRA! EXTRA! READ ALL ABOUT IT! 1465 01:34:54,156 --> 01:34:57,760 CHICAGO SONG SALESMAN HUNTED IN BLIND GIRL MURDER! 1466 01:34:57,760 --> 01:34:59,561 EXTRA! EXTRA! READ ALL ABOUT IT! 1467 01:34:59,561 --> 01:35:03,165 CHICAGO SONG SALESMAN HUNTED IN BLIND GIRL MURDER! 1468 01:35:03,165 --> 01:35:05,367 Woman: I'LL TAKE A PAPER, BOY. 1469 01:35:11,774 --> 01:35:14,109 [THUNDER] 1470 01:35:20,783 --> 01:35:23,385 YOU DON'T THINK I DID IT? 1471 01:35:27,389 --> 01:35:29,391 NO. YOU COULDN'T. 1472 01:35:32,394 --> 01:35:34,997 WHAT AM I GOING TO DO? 1473 01:35:36,398 --> 01:35:38,400 GO TO THE POLICE? 1474 01:35:38,400 --> 01:35:40,402 ARE YOU CRAZY?! 1475 01:35:40,402 --> 01:35:41,804 YOU'RE INNOCENT. 1476 01:35:41,804 --> 01:35:43,405 THEY'LL HANG ME. 1477 01:35:44,807 --> 01:35:46,809 I KNOW WHAT TO DO. 1478 01:35:46,809 --> 01:35:48,811 I'M GOING TO GET OUT OF HERE. 1479 01:35:48,811 --> 01:35:50,412 WHERE TO? 1480 01:35:50,412 --> 01:35:52,280 I'LL THINK OF SOMETHING. 1481 01:35:52,280 --> 01:35:53,381 [THUMP] 1482 01:35:53,381 --> 01:35:54,649 GOD, A CAT! 1483 01:35:54,649 --> 01:35:55,683 [TIRES SCREECHING] 1484 01:35:55,683 --> 01:35:57,485 GOD DAMN! IT WAS A CAT! 1485 01:35:57,485 --> 01:35:59,087 IT WAS A BLACK CAT! 1486 01:35:59,087 --> 01:36:05,727 [CRYING] GOD DAMN. IT WAS A BLACK CAT. 1487 01:36:05,727 --> 01:36:07,462 I DIDN'T SEE IT. 1488 01:36:07,462 --> 01:36:08,864 [CRYING SOFTLY] 1489 01:36:08,864 --> 01:36:11,066 MAYBE IT WAS A RAT. 1490 01:36:15,871 --> 01:36:18,473 I'M SCARED, EILEEN. 1491 01:36:26,481 --> 01:36:28,483 SEE YOU, BIG BOY. 1492 01:36:29,885 --> 01:36:31,887 I ALWAYS KNEW SOMETHING TERRIBLE 1493 01:36:31,887 --> 01:36:34,890 WAS GOING TO HAPPEN TO ME. 1494 01:36:34,890 --> 01:36:38,093 ALL MY LIFE, I'VE BEEN WAITING. 1495 01:36:43,899 --> 01:36:45,968 EILEEN. 1496 01:36:47,936 --> 01:36:49,972 [HONKS HORN] 1497 01:36:49,972 --> 01:36:52,574 ARE YOU RUNNING OUT ON ME?! 1498 01:36:57,379 --> 01:37:00,582 WELL, IT'S NO FUN, IS IT? NO LAUGHS? 1499 01:37:00,582 --> 01:37:03,185 BUT DON'T YOU LOVE ME? 1500 01:37:05,587 --> 01:37:07,589 THAT QUESTION... 1501 01:37:07,589 --> 01:37:09,191 WHAT ABOUT IT? 1502 01:37:10,592 --> 01:37:13,996 WHAT WOULD YOU LIKE ME TO SAY? 1503 01:37:13,996 --> 01:37:16,198 DO YOU, EILEEN? 1504 01:37:18,000 --> 01:37:20,168 NOT WHEN YOU ARE SO SCARED. 1505 01:37:22,004 --> 01:37:24,006 YOU MEAN, YOU'LL STICK BY ME 1506 01:37:24,006 --> 01:37:26,008 IF I JUST KEEP SMILING, 1507 01:37:26,008 --> 01:37:28,643 EVEN WITH THE ROPE AROUND MY NECK? 1508 01:37:28,643 --> 01:37:31,013 WE'VE ONLY GOT ONE LIFE, ARTHUR. 1509 01:37:31,013 --> 01:37:34,216 WE BOTH KNOW WE MADE A MESS OF OURS. 1510 01:37:36,018 --> 01:37:38,453 IT DOESN'T SEEM TO MATTER MUCH 1511 01:37:38,453 --> 01:37:39,754 HOW IT ENDS, DOES IT? 1512 01:37:39,754 --> 01:37:41,356 DOESN'T IT? 1513 01:37:44,226 --> 01:37:46,094 NO. 1514 01:37:49,031 --> 01:37:51,967 I'LL LOVE YOU. 1515 01:37:54,236 --> 01:37:56,504 YES. 1516 01:37:56,504 --> 01:38:00,242 I'LL WANT YOU. 1517 01:38:01,643 --> 01:38:03,778 I WANT YOU NOW. 1518 01:38:03,778 --> 01:38:05,247 WHAT? HERE? 1519 01:38:05,247 --> 01:38:07,682 IT'S THE ONLY WAY I CAN KEEP GOING. 1520 01:38:07,682 --> 01:38:12,654 BESIDES, WE AIN'T NEVER DONE IT IN A CAR, HAVE WE? 1521 01:38:12,654 --> 01:38:14,256 WE MUST BE CRAZY. 1522 01:38:14,256 --> 01:38:17,259 HA HA HA! PUT ME DOWN! 1523 01:38:25,800 --> 01:38:28,670 [ENGINE STARTS AND SPUTTERS] 1524 01:38:31,073 --> 01:38:33,675 Arthur: COME ON! 1525 01:38:33,675 --> 01:38:35,677 COME ON! 1526 01:38:37,079 --> 01:38:38,480 [ENGINE STOPS] 1527 01:38:38,480 --> 01:38:42,951 "BARGAIN," HE SAID. "BEST CAR ON THE LOT," HE SAID. 1528 01:38:42,951 --> 01:38:44,086 I TELL YOU, EILEEN, 1529 01:38:44,086 --> 01:38:46,054 SALESMEN GOT NO GODDAMN MORALS! 1530 01:38:46,054 --> 01:38:49,891 [EILEEN LAUGHING] 1531 01:38:49,891 --> 01:38:51,893 YOU HAVE ANY IDEA WHERE WE ARE? 1532 01:38:51,893 --> 01:38:53,728 WE'RE IN THE MIDDLE OF NOTHING, 1533 01:38:53,728 --> 01:38:57,132 JUST WHERE I ALWAYS WANTED TO BE. 1534 01:38:58,433 --> 01:39:01,303 WE'LL JUST HAVE TO STAY HERE... 1535 01:39:01,303 --> 01:39:04,372 JUST STAY HERE TILL THEY FIND US. 1536 01:39:07,642 --> 01:39:09,577 GODDAMN CAR! OW! 1537 01:39:09,577 --> 01:39:11,579 HA! 1538 01:39:11,579 --> 01:39:12,981 KICK IT AGAIN, ARTHUR. 1539 01:39:12,981 --> 01:39:15,050 IT DIDN'T HEAR YOU. 1540 01:39:16,251 --> 01:39:21,489 * I GET NO KICK FROM CHAMPAGNE * 1541 01:39:57,992 --> 01:39:59,827 GET HIM! HALT! 1542 01:39:59,827 --> 01:40:01,363 ARTHUR, DON'T! 1543 01:40:01,363 --> 01:40:02,364 HALT! 1544 01:40:02,364 --> 01:40:03,398 [GUNSHOT] 1545 01:40:03,398 --> 01:40:04,199 AAH! 1546 01:40:04,199 --> 01:40:06,034 ONE MOVE AND YOU'RE DEAD! 1547 01:40:06,034 --> 01:40:07,202 I DIDN'T DO IT! 1548 01:40:07,202 --> 01:40:08,836 I SWEAR TO GOD I DIDN'T DO IT! 1549 01:40:08,836 --> 01:40:09,904 I'M INNOCENT! 1550 01:40:09,904 --> 01:40:12,174 INNOCENT! I WOULDN'T HURT A FLY! 1551 01:40:26,221 --> 01:40:30,258 Man: ARTHUR PARKER, DO YOU HAVE ANYTHING TO SAY? 1552 01:40:31,926 --> 01:40:35,230 Arthur: A LONG TIME AGO... 1553 01:40:35,230 --> 01:40:38,266 A MILLION YEARS B.C... 1554 01:40:39,501 --> 01:40:43,438 THE BEST THINGS IN LIFE WAS ABSOLUTELY FREE. 1555 01:40:48,243 --> 01:40:52,180 NO ONE APPRECIATED A SKY THAT WAS ALWAYS BLUE. 1556 01:40:53,648 --> 01:40:57,685 AND NO ONE CONGRATULATED A MOON THAT WAS ALWAYS NEW. 1557 01:40:58,653 --> 01:41:03,658 SO IT WAS PLANNED THAT THEY WOULD VANISH NOW AND THEN. 1558 01:41:04,659 --> 01:41:08,830 AND YOU MUST PAY BEFORE YOU GET THEM BACK AGAIN. 1559 01:41:11,233 --> 01:41:14,436 AND THAT'S WHAT STORMS ARE MADE FOR. 1560 01:41:16,238 --> 01:41:19,841 AND YOU SHOULDN'T BE AFRAID... 1561 01:41:19,841 --> 01:41:21,443 FOR... 1562 01:41:25,247 --> 01:41:29,451 * EVERY TIME IT RAINS, IT RAINS * 1563 01:41:31,253 --> 01:41:33,455 * PENNIES FROM HEAVEN * 1564 01:41:35,790 --> 01:41:40,462 * DON'T YOU KNOW EACH CLOUD CONTAINS * 1565 01:41:42,264 --> 01:41:44,466 * PENNIES FROM HEAVEN? * 1566 01:41:47,068 --> 01:41:51,206 * YOU'LL FIND YOUR FORTUNE FALLING * 1567 01:41:53,007 --> 01:41:54,876 * ALL OVER TOWN * 1568 01:41:57,279 --> 01:42:01,483 * BE SURE THAT YOUR UMBRELLA * 1569 01:42:02,984 --> 01:42:05,487 * IS UPSIDE DOWN * 1570 01:42:07,755 --> 01:42:12,494 * TRADE THEM FOR A PACKAGE OF * 1571 01:42:14,128 --> 01:42:16,498 * SUNSHINE AND FLOWERS * 1572 01:42:18,766 --> 01:42:22,904 * IF YOU WANT THE THINGS YOU LOVE * 1573 01:42:24,906 --> 01:42:27,509 * YOU MUST HAVE SHOWERS * 1574 01:42:29,777 --> 01:42:34,949 * SO WHEN YOU HEAR IT THUNDER * 1575 01:42:34,949 --> 01:42:37,919 * DON'T RUN UNDER A TREE * 1576 01:42:39,321 --> 01:42:42,924 * THERE'LL BE PENNIES FROM HEAVEN * 1577 01:42:44,826 --> 01:42:46,194 * FOR YOU * 1578 01:42:47,962 --> 01:42:49,531 * AND ME * 1579 01:42:59,207 --> 01:43:03,278 Arthur: EILEEN! EILEEN! WAIT! 1580 01:43:03,278 --> 01:43:05,880 EILEEN! WAIT! 1581 01:43:05,880 --> 01:43:07,482 EILEEN! 1582 01:43:12,287 --> 01:43:13,888 ARTHUR. 1583 01:43:15,290 --> 01:43:17,692 ARTHUR, WHAT ARE YOU DOING HERE? 1584 01:43:17,692 --> 01:43:20,295 WHOEVER SAID YOU COULD STOP A DREAM? 1585 01:43:20,295 --> 01:43:22,964 WE COULDN'T HAVE GONE THROUGH ALL THAT 1586 01:43:22,964 --> 01:43:24,031 WITHOUT A HAPPY ENDING. 1587 01:43:24,031 --> 01:43:26,901 SONGS AIN'T LIKE THAT, ARE THEY? 1588 01:43:26,901 --> 01:43:28,303 NO. 1589 01:43:28,303 --> 01:43:30,305 NO, THEY'RE NOT. 1590 01:43:30,305 --> 01:43:33,140 [WOMEN SINGING] 1591 01:43:33,140 --> 01:43:35,477 * THAT'S THE STORY OF * 1592 01:43:35,477 --> 01:43:39,881 * THAT'S THE GLORY OF LOVE * 1593 01:43:39,881 --> 01:43:44,486 * YOU GOT TO LAUGH A LITTLE, CRY A LITTLE * 1594 01:43:44,486 --> 01:43:48,089 * BEFORE THE CLOUDS ROLL BY A LITTLE * 1595 01:43:48,089 --> 01:43:50,091 * THAT'S THE STORY OF * 1596 01:43:50,091 --> 01:43:54,496 * THAT'S THE GLORY OF LOVE * 1597 01:43:54,496 --> 01:43:57,899 * AS LONG AS THERE'S THE 2 OF US * 1598 01:43:57,899 --> 01:44:01,903 * WE'VE GOT THE WORLD AND ALL ITS CHARMS * 1599 01:44:01,903 --> 01:44:05,773 * AND WHEN THE WORLD IS THROUGH WITH US * 1600 01:44:05,773 --> 01:44:09,444 * WE'VE GOT EACH OTHER'S ARMS * 1601 01:44:13,781 --> 01:44:18,520 * YOU'VE GOT TO LIVE A LITTLE, LOSE A LITTLE * 1602 01:44:18,520 --> 01:44:21,923 * AND THOUGH YOU'LL HAVE THE BLUES A LITTLE * 1603 01:44:21,923 --> 01:44:25,727 * THAT'S THE STORY OF, THAT'S THE GLORY OF * 1604 01:44:25,727 --> 01:44:29,597 * THAT'S THE STORY OF, THAT'S THE GLORY OF * 1605 01:44:59,761 --> 01:45:01,763 I'M ARTHUR... 1606 01:45:01,763 --> 01:45:04,566 AND I LOVE YOU. 1607 01:45:04,566 --> 01:45:09,704 Arthur Tracy: * EVERY TIME IT RAINS, IT RAINS * 1608 01:45:09,704 --> 01:45:13,808 * PENNIES FROM HEAVEN * 1609 01:45:13,808 --> 01:45:18,580 * DON'T YOU KNOW EACH CLOUD CONTAINS * 1610 01:45:18,580 --> 01:45:22,717 * PENNIES FROM HEAVEN? * 1611 01:45:22,717 --> 01:45:27,321 * YOU'LL FIND YOUR FORTUNE FALLING * 1612 01:45:27,321 --> 01:45:31,192 * ALL OVER TOWN * 1613 01:45:31,192 --> 01:45:36,197 * BE SURE THAT YOUR UMBRELLA * 1614 01:45:36,197 --> 01:45:40,868 * IS UPSIDE DOWN * 1615 01:45:40,868 --> 01:45:44,806 * TRADE THEM FOR A PACKAGE OF * 1616 01:45:44,806 --> 01:45:49,477 * SUNSHINE AND FLOWERS * 1617 01:45:49,477 --> 01:45:54,215 * IF YOU WANT THE THINGS YOU LOVE * 1618 01:45:54,215 --> 01:45:59,320 * YOU MUST HAVE SHOWERS * 1619 01:45:59,320 --> 01:46:03,290 * SO WHEN YOU HEAR IT THUNDER * 1620 01:46:03,290 --> 01:46:07,895 * DON'T RUN UNDER A TREE * 1621 01:46:07,895 --> 01:46:11,165 * THERE'LL BE PENNIES FROM HEAVEN * 1622 01:46:11,165 --> 01:46:13,835 * FOR YOU * 1623 01:46:13,835 --> 01:46:16,137 * AND * 1624 01:46:16,137 --> 01:46:21,242 * ME * 1625 01:46:21,242 --> 01:46:22,844 [SONG CHANGES] 1626 01:46:27,314 --> 01:46:32,454 Phyllis Robbins: * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 1627 01:46:32,454 --> 01:46:37,725 * BABY, THERE IS NOTHING LOVE CAN'T DO * 1628 01:46:37,725 --> 01:46:42,864 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 1629 01:46:42,864 --> 01:46:48,135 * HOW'S ABOUT A SWEET ROMANCE OR 2? * 1630 01:46:48,135 --> 01:46:50,538 * A KISS WILL PEP YOU UP * 1631 01:46:50,538 --> 01:46:52,940 * A LITTLE HUG WILL STEP YOU UP * 1632 01:46:52,940 --> 01:46:55,076 * IF DREAMS HAVE KEPT YOU UP * 1633 01:46:55,076 --> 01:46:57,945 * YOU DON'T NEED PILLS, YOU NEED THRILLS * 1634 01:46:57,945 --> 01:47:03,084 * LOVE'S A PRECIOUS THING THAT NEVER FAILS YOU * 1635 01:47:03,084 --> 01:47:07,622 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU * 1636 01:47:17,098 --> 01:47:20,101 CAPTIONING MADE POSSIBLE BY WARNER BROS. 1637 01:47:20,101 --> 01:47:23,505 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 1638 01:47:28,375 --> 01:47:33,581 * LOVE'S A PRECIOUS THING THAT NEVER FAILS YOU * 1639 01:47:33,581 --> 01:47:37,519 * LOVE IS GOOD FOR ANYTHING THAT AILS YOU *